Even with three full-time jobs, Bea’s still financially f*cked. Can she get herself out of the red and into the black? Or will the plates she’s spinning come crashing down around her? A riotous comedy about surviving capitalism.

Kindling follows five perimenopausal women as they embark on their friend Mei’s final wish; scattering her ashes in the redwood forest of Wales. If only they knew each other - let alone liked one another. Connected only by their shared grief, what begins as an opportunity to bond, quickly descends into chaos.

A dark comedy about love, loss and Northern soul music. After her Mum’s sudden death Nicole is shoved headfirst into the world of adulthood whilst still clinging on to the end of her teenage years and desperately trying to lose her virginity!

A pitch-black drama about love, rats, and buried grief. When the scratching starts, what remains once you're picked clean to the bone?

Talking, listening, eating, belonging - This City traces the city we live in through the eyes of our teenagers. Through intertwining, autobiographical stories, this is a play about the importance of community and belonging, and the unpredictable, ever-changing seasons that can make London unwelcoming.

Enter a bizarre world of Beat poetry and broken dreams where forgotten faces can materialise at your front door and your flatmate can be a walking, talking sculpture. What will Allen give up, to move on?

Three bold voices. Four nights only. NO SHOW spotlights excerpts from new work by Writer/Directors at Park90. Featuring Steven Kavuma, Jessica Hagan and Guy Hodgkinson.

Sharp, poignant, and unflinchingly honest, Mark O’Halloran’s acclaimed drama won Best New Play at the Irish Times Awards in 2022 and now makes its London debut.

The Pennington family have not been in the same room for over 17 years. But on Easter weekend 1997, all three generations gather with the aim of putting the past well and truly behind them. If only it were that simple.

Fiercely funny and brutally honest, award-winning writer Jane Upton’s Bruntwood Prize shortlisted play shatters the glossy veneer of motherhood, exposing its raw, messy truth.