The Talking Drum: Voices from the Andover Estate
A powerful new verbatim play foregrounding the voices of a community fighting to be heard.
A retired ballerina finds herself suddenly homeless. At university, a youth worker struggles against stereotypes. Resident ‘007’ can’t get the council to listen to them, and NJ dreams of being allowed to play the African Drums.
Putting the voices from Islington’s Andover Estate centre stage, The Talking Drum is a captivating portrait of a vast and diverse neighbourhood.
A blend of theatre, grassroots storytelling and digital media, the interwoven stories spanning more than 50 years offer an urgent and deeply personal counter-narrative to decades of negative media portrayal. The production explodes assumptions about class and identity to ask: what does community mean to residents now?
Created from interviews conducted by a project team led by Professor John Gabriel with Dr Alya Khan and Gulser Rose Kaya (London Metropolitan University), adapted by writer-director Tony Graham.
Presented by Park Theatre, London Metropolitan University and the Andover Estate Community Centre.
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Evenings
19.00
Thu & Sat15.15
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Duration
90 mins (no interval)
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Tickets
£25
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Genre
Drama
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Content warnings
Contains strong language; reference to domestic violence; discussion of violence and racism; use of racist language; brief reference to sexual assault; discussion of mental illness and drug addiction. Also contains loud noises, moments of flashing lights and some audience participation.
Gallery
Cast & Creatives
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Sanya Adegbola
Sanya Adegbola
Theatre includes: The School for Scandal and Titus Andronicus (Royal Shakespeare Company); Quiz (Chichester Festival Theatre); Around The World In 80 Days (Theatre By The Lake & Hull Truck); Interiors (Vanishing Point & Barbican Theatre); The High Table (Bush Theatre); Botticelli In The Fire (Hampstead Theatre); Red Dust Road (National Theatre of Scotland); Richard III (Headlong); The Convert and The Christians (Gate Theatre); After Independence (Arcola Theatre); The Merchant of Venice and The Comedy of Errors (Shakespeare’s Globe); Widowers’ Houses (Orange Tree Theatre); Othello (Riverside Studios); A Midsummer Night’s Dream (Michael Grandage Company).
Television includes: Apollo Has Fallen, Enterprice (Amazon Prime); Doctor Who (BBC & Disney+); Doctors, EastEnders, Blitz (BBC); McDonald and Dodds (ITV); Abraham Lincoln (History); The Lazarus Project (Sky).
Film includes: The New Girl, Anemone, The Mire.
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Andy de la Tour
Andy de la Tour
On stage, Andy’s appearances include The Best Exotic Marigold Hotel (national tour); Medea (Almeida Theatre); The Cutting of the Cloth (Southwark Playhouse, Off-West End Theatre Best Actor nomination); The Last Yankee (The Print Room, Off-West End Theatre Best Actor nomination); Blue Heart (Orange Tree Theatre, Off-West End Best Theatre Ensemble nomination). For the National Theatre, he appeared in Harold Pinter’s No Man’s Land and Alan Bennett’s People. He also appeared in the premiere of Harold Pinter’s Celebration at the Almeida Theatre and the Lincoln Centre, New York.
His many film appearances include Star Wars: Rogue One; La Confessioni; Dough; 44inch Chest; Notting Hill; Oliver Twist; Asylum and Pandemonium.
For television The Scarlet Pimpernel; Kavanagh Q.C. (also writer); The Wimbledon Poisoner; Downtown Lagos; A Perfect Spy; Driving Ambition; Clem (also writer); King and Castle (also writer); Casualty; Holby City; Doctors; The Young Ones; Happy Families; Saturday Live; Bottom; The Entertainers; The Man from Auntie; Strike and Blood, Sex and Royalty: Ann Boleyn.
Andy also has many credits as a writer for the theatre and television and has published a book, ‘Stand-Up or Die’ (Oberon Books), about his experience as a stand-up comedian in New York.
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Victoria Evaristo
Victoria Evaristo
Victoria Evaristo trained at the Guildhall School of Music and drama and is an actor, director and drama tutor.
Her most recent acting work includes: Her self-penned one woman show Ma Joyce’s tales from the Parlour (Edinburgh Festival 2025); Windrush the Journey ( Pegasus Opera ); Brian and Maggie (Baby cow C4); Someone, Somewhere isn’t us (Pavilion works); The Pay Day (Praxima Films); Woven (Edinburgh Festival); Mummylogues (Old red Lion theatre); WOW Festival ( Royal Festival Hall); Baring the Weight (New Diorama); The Rally (Stockwell playhouse); Big Bad world (Comedy Central); Ma Joyce’s Tales from the Parlour ( Oval House); Do you know where your daughter is? (Hackney Empire); Angel Point (New Peckham Varieties Theatre); Tell Me You Love Me (Landor); Sankofa, Adizdo Dance ensemble (Royal Festival Hall); Big Splash (Oily Cart); Treemonisha (Battersea Arts centre); Soul Sisters Melody (Everyman Liverpool). And several advert campaigns.
Directing work includes: Disparity 2,0 (Drayton arms theatre); The Sweet Science of Bruising ( Young Actors theatre); Just Aretha (Edinburgh Fringe 2024 Redbridge Drama Centre and LTF); Mummylogues (Old red lion theatre); In search of a white Identity (actors centre on demand season).
Victoria has recently been a guest tutor on the Amplify project sponsored by Warner music UK at Bernie Grant Arts centre. Other work includes: British Youth Music theatre, East 15 Acting School, Young Actors theatre, Italia Conti Academy of Theatre Arts, Redbridge Drama Centre, Sylvia Young Theatre School, Identity School of Acting, City University, Black Fest creatives, Big Foot Theatre Company, London Bubble and Eastside Educational Trust.
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Géhane Strehler
Géhane Strehler
Training: Guildford School of Acting (First Class Ba Hons)
Theatre: La Fille A La Mode (National Theatre, Theatre Royal Haymarket, Barbican); Wild Girl/Mirad The Boy From Bosnia (Bristol Old Vic); The Boy With Two Hearts (Wales Millenium Centre); The Storm Whale (York Theatre Royal, Little Angel Theatre); Rattle Of A Simple Man (Nuffield Theatre Southampton); Shaft Of Sunlight (Watford Palace Theatre); 4.48 Psychosis (Arcola Theatre); Twelfth Night/Red Fortress /Sleeping Beauty (Unicorn Theatre); Operation Magic Carpet/Beauty &The Beast/Alice In Wonderland (Polka Theatre); Burn My Heart (Trestle Theatre); Romeo & Juliet/Twelfth Night/Fahrenheit 451 (TNT Theatre); The Snow Queen (Pegasus Theatre); House Of Bernada Alba (Federal Theatre Denver); Sahar Speaks (Theatre 503); A Woman Alone (Hoxton Hall); Cinderella (Creation Theatre); Séance On A Sunday Afternoon (Lakeside Theatre); The Slow Sword (Old Red Lion); The Last Virgin (English Theatre Frankfurt); St Joan/Asylum (Edinburgh Festival); Broken Silences (Abbey Theatre); War Of The Worlds (Dot Dot Dot).
Musical: Slavery (Bottle Factory New York, Hudson Theatre Los Angeles); Up The Greek (Electric Theatre Guildford); Colours Of Your Life (Eden Theatre USA).
Screen: The Child In Time (BBC); EastEnders (BBC); The Bill (ITV); Veils (Film Foundry); Seed (Film London); The Slow Sword (Old Red Lion); Letters (Apex Arts); The Truth Seekers (Bud Films); Photographic Memory (Centripetal Films USA); Unspoken (Ladibird Productions); Learning To Fly (Pursued By A Bear); Gemma’s Garden (Dandy TV); Morris 2274 (Channel Five).
Radio: Love Is Not New In This Country (BBC).
Readings: Respect (Birmingham Rep); Extracts (Soho Theatre); Echoes Of Wellbeing (Pleasance Theatre); God’s D*ck/Nothing On Earth (Arcola Theatre); Ukrainian Speaking Elephants (Sputnik Theatre); Perhaps Merely Quiet (Icarus Theatre); Marcel 4 Melody (Tristan Bates Theatre); Knock Against My Heart (Theatre Centre); This Child (Company Of Angels); Afghan Girls Don’t Cry (Kali Theatre); My Mother Medea (York Theatre Royal).
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Tony Graham
Adaptor & Director
Tony Graham
Adaptor & Director
Originally, a drama teacher in London, Tony became an Associate and then Artistic Director for TAG Theatre (based at the Citizens Theatre, Glasgow) from 1989 making work for young audiences across Scotland. He directed a hugely popular tour of Sunset Song for TAG. It was subsequently co-produced by the Edinburgh International Festival in 1993.
In 1997 Tony became Artistic Director of the Unicorn Theatre. He instigated and opened the Unicorn’s award-winning theatre near London Bridge in 2005. At the Unicorn for fourteen years, Tony created an acting ensemble. His shows included a new opera based on Philip Pullman’s Clockwork, the award-winning Tom’s Midnight Garden (which toured to New York), his own adaptation of Michael Morpurgo’s Billy The Kid and Adrian Mitchell’s adaptions of Beatrix Potter. He left the Unicorn in 2012 and has since directed as a freelancer.
Tony has directed over a hundred professional productions in the UK and abroad including ten shows in South Korea, principally for the National Theatre Company Korea. Most recently, in May 2026, he directed David Greig’s Yellow Moon at the prestigious Myeongdong Theatre, Seoul. He regularly directs for E15 Drama School and is a Rose Bruford College Honorary Fellow where he directs and teaches. He was an artist-in-residence at NYU’s Steinhardt School in 2012 and also the Korea National University of the Arts. He was a Creative Associate and directed several shows for the Belgrade Theatre, Coventry including Carl Miller’s Ostrich Boys.
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Rachana Jadhav
Set, Costume & Video Designer
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Jodie Underwood
Lighting Designer
Jodie Underwood
Lighting Designer
Jodie is a lighting designer with credits spanning drama, musicals, opera and physical theatre. She has designed in venues all over the UK and her work has been seen touring both nationally and internationally. Her bold and exciting lighting designs have drawn critical acclaim and a Broadway World Award Nomination.
Her recent Design credits include: The Talking Drum (Park Theatre); The Man Who Thought He Knew Too Much (Pleasance); Invisible Me (Southwark Playhouse); A Mirrored Monet (Charing Cross Theatre); A Christmas Carol (Barn Theatre); I Dream of Theresa May (Tara Theatre); After The Act (Royal Court and UK Tour); Our Cosmic Dust (Park 200); Redacted: A Cover-up of the Cover-Up of a Cover-Up (Pleasance and UK Tour); The Law of Mayhem (Haymarket, Basingstoke); The Crawl (Pleasance); Worn Out (Lowry Theatre); Jab The Play (Park 90); Community (Birmingham Rep); Wormholes (Omnibus Theatre); Love & Rebellion (Birmingham Rep); English Kings Killing Foreigners (Camden People’s Theatre); A Christmas Carol (Taunton Brewhouse); Cheeky Little Brown (UK Tour); The Life Sporadic of Jess Wildgoose (Pleasance Courtyard, Edinburgh); DNA (Tara Theatre); Blow Down (Theatre Royal Wakefield and Leeds Playhouse); The Boys Are Kissing (Theatre 503); and Horse-Play (Riverside Studios).
Her recent Associate credits include: Crybabies: The Scaring (Associate to Bethany Gupwell, Pleasance and Soho Theatre); Ruckus (Associate to Simeon Miller, UK Tour); The Book Of Will (Associate to Simeon Miller, Shakespeare North Playhouse); Ride (Associate to Jamie Platt, Leicester Curve and Southwark Playhouse); Pigs Might Fly (Associate to Aaron Dootson, Theatre Peckham); and When Darkness Falls (Associate to Bethany Gupwell – UK Tour).
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Tate Hingorani-Short
Sound Designer
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Kal Chapman
Company Stage Manager
Kal Chapman
Company Stage Manager
Kal trained in Stage Management at Guildhall School of Music & Drama.
Theatre Credits include: Un Ballo in Maschera (Opera Holland Park); A Mirrored Monet (Charing Cross Theatre); The Meat Kings! inc. of Brooklyn Heights (Park Theatre); L’Italiana in Algeri (Longhope Opera); Don Pasquale (Longhope Opera); Bob the Super Dog (The Woodville).
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Lewis Champney
Production Manager for eStage
Lewis Champney
Production Manager for eStage
Trained at RCSSD.
Productions for Park Theatre include: Whodunnit [Unrehearsed] 4, When it Happens to You, The Marilyn Conspiracy, Whodunnit [Unrehearsed] 3, Kim’s Convenience
Theatre includes: Robin Hood, The Dissaperaing Man (Queens Theatre Hornchurch); Sherlock Holmes & Napoleon of Crime, The Three Musketeers (Oxford Playhouse); Captain Amazing (Southwark Playhouse); The Rat Trap, The Forsyte Saga Parts 1 and 2 and A Single Man, Farewell Mister Haffmann, 23.5 Hours, Sorry We Didn’t Die At Sea (Park Theatre); The Gods of Salford (The Lowry); Cutting The Tightrope (Edinburgh Internation Festival); A Fine Idea, Cutting the Tightrope, As Long As We Are Breathing, Gigi & Dar (Arcola Theatre); Puppy (Kings Head Theatre); A Christmas Fair (Oldham Coliseum) Sweeney Todd, A Very Expensive Posion, Next to Normal (Mountview); This Restless House (Part 1,2 & 3), Lysistrata (RCSSD)
Opera Includes: The Little Zombie Girl (The Shaw Theatre); Eugene Onegin (Jacksons Lane Theatre)
Assistant/Associate Production Manager: Tamerlano (Shorditch Town Hall); A Single Man (Park Theatre); The Quest (Shaw Theatre); Rinaldo, Pandora’s Box (Royal Academy of Music); The Oddyssaid, The Hobbit (Oxford Playhouse); Some Demon (Arcola Theatre); Here (Southwark Playhouse); Dick Whittngton, Killing Jack (Queen’s Theatre Hornchurch); Playlist for a Revolution, Sleepova, Paradise Now! (Bush Theatre)
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Displaying 8 performances for The Talking Drum: Voices from the Andover Estate
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Mon 24 Aug 2026
7pm
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Tue 25 Aug 2026
7pm
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3.15pm
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7pm
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Find out moreThe Talking Drum freesheet
Freesheet
PDF, 720.31kbSupporters and Partners
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London Metropolitan University
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Smart Social Futures C.I.C
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Islington Council
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Arts Council Projects Grant
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Allie's Art Club
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Royal Victoria Hall Foundation
Artwork by Lydia Rose.
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