Holy Fool
By Rosalind Adler and Lea Sellers, Directed by Kate Fahy
Book both and save
Save 20% off your order when you book for both Holy Fool and Shostakovich in Seven Parts. Both tickets must be in your basket for the offer to apply. Offer applies to any performance of Holy Fool in any band, and any concert performance.
Use code SYMPHONY20 at checkout.
Presented by Park Theatre, Alexander “Sandy” Marshall & Wild Yak
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Evenings
19.30
Thu & Sat15.00
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Tickets
£22.50 - £55
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Genre
Drama
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Age guidance
12+
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Content warnings
Contains strong language, loud noises / sudden sounds and references to war and torture
Gallery
Cast & Creatives
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Jenna Augen
Nina
Jenna Augen
Nina
Theatre includes: Magic (Chichester Festival Theatre); Kyoto (RSC Stratford/ West End); Nachtland (Young Vic); Leopoldstadt (Longacre Theatre, Broadway/ Wyndham’s Theatre, West End); Bartholomew Fair (Shakespeare’s Globe); The Comedy About a Bank Robbery (Criterion, West End); The Knowledge (Charing Cross Theatre); The Witches (West Yorkshire Playhouse); Bad Jews (UK Theatre Award/The Arts Theatre/St. James Theatre/Theatre Royal, Bath); The Way Of The World (Chichester Festival Theatre); Rufus Norris’ Sleeping Beauty (Birmingham Repertory Theatre); Chicken Soup with Barley (Royal Court); The Gondoliers (Sierra Madre Playhouse); A Christmas Carol (Grove Theater Centre); A Murder Is Announced (The Lyceum/Arrow Rock); The Boys From Syracuse, The Two Gentlemen Of Verona (Commonwealth Shakespeare Co) and The Mystery of Edwin Drood (Wilton Playshop).
Television includes: Call The Midwife, Casualty, Episodes and The Night Watch.
Film includes: Girl Group, Josephine and the Roach and Penelope in the Treehouse.
Radio includes: Guilt Trip, Chicken Soup with Barley and A Year at the Races.
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Fergus O’Donnell
Izaak
Fergus O’Donnell
Izaak
Training: Manchester Polytechnic School of Theatre (1989-92)
Theatre credits include: Fergus has recently completed a national tour playing the role of Scott in Our Public House by Barney Norris. Other theatre includes seasons at the RSC (A Midsummer Night’s Dream, Measure for Measure, Richard III, Titus Andronicus, Tales from Ovid, A Warwickshire Testimony); The Globe (Cymbeline); Chichester Festival Theatre (Wallenstein, The Grapes of Wrath); The Manchester Royal Exchange (Anthony and Cleopatra, Britannia Waves the Rules); The Lyric Hammersmith (Desire Under the Elms); Method & Madness (Ghosts, Winter’s Tale); Steven Berkoff at Almagro Festival (Richard II); Salisbury Playhouse (A Number); Filter Theatre Co. (Twelfth Night).
Television credits include: Gunpowder (Kudos/BBC); Silent Witness (BBC); Unforgotten (ITV); I May Destroy You(HBO/BBC); Downton Abbey (ITV); Emmerdale (ITV); Coronation Street (ITV); Lovejoy (ITV); Holby City (BBC); Casualty (BBC); The Bill (ITV); Heaven on Earth (BBC/Red Rooster); Twelve Monkeys (Netflix); Absentia (Sony Pictures Television).
Film credits include: A Business Affair (Charlotte Brandon); Weekender; How I Didn’t Become a Piano Player; Cuttings; Brimstone (Martin Klunharven); The Princess (Disney Pictures).
Video Game Voices include: League of Legends; World of Warcraft; Elden Ring; Diablo; Xenoblade Chronicles III.
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Benjamin O’Mahony
Mitya
Benjamin O’Mahony
Mitya
Theatre credits include: People Like Us (The Vineyard Theatre, Broadway); Taming of the Shrew (Hampstead Theatre); How Love Is Spelt (Southwark Playhouse); What You Will (Shakespeare’s Globe); Twelfth Night (Hampstead Theatre); Unrestless (Old Vic); Henry V (Propeller Theatre Company); Ballroom Blitz (Hull Truck); The Cherry Orchard (The Rose Theatre); King Lear (Shakespeare at the Tobacco); 24 Hour Plays (Old Vic); The Emperor Self (Arcola Theatre).
Television credits include: Apollo Has Fallen (Amazon); Ripper Street (Amazon/BBC); The Serial Killer’s Wife(Paramount); Strike Back (Sky One/HBO Cinemax); Once Loved (Sky/Warner Bros); Hollyoaks (Channel 4).
Film credits include: Kajaki (Head Gear Films); The Other Boleyn Girl (Sony Pictures); Better Anything (Silverstone Productions); Max 6 (Academy Films / Electric Cinema); Le Leggi Della Causalita (Serie 928); Chloe (Ghost Images).
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Phoebe Pryce
Katya
Phoebe Pryce
Katya
Phoebe trained at RADA.
Theatre credits include: Much Ado About Nothing, Love’s Labour’s Lost and The False Servant (Orange Tree Theatre); The Crucible, The Tempest and The Merchant of Venice (Shakespeare’s Globe); The Importance of Being Earnest (Royal Exchange); Cash Cow (Hampstead Theatre); A Single Man (Park Theatre); The Night Watch (UK Tour); The Girl on the Train (Salisbury Playhouse); The Picture of Dorian Gray (UK Tour); About Leo (Jermyn Street Theatre); A Passage to India (UK Tour/Park Theatre); The Tenant of Wildfell Hall (Octagon Theatre Bolton/Theatre Royal York).
TV and film credits include: The Gold, Father Brown, Holby City (BBC); The Lost King (Baby Cow Productions) and Still Life (19th Street Productions).
Radio credits include: Transcription, The Pale Horse and Book of the Week (BBC Radio 4).
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Rosalind Adler
Co-writer
Rosalind Adler
Co-writer
Rosalind Adler is a writer and actress.
For twenty years she produced and later co-produced (with her agent Hollie Ebdon) The Comedy Project at Soho Theatre, showcasing new comedy writing.
Both her one-woman multi-charactered plays, Jubilate! and LOL, have won awards.
She and Crispin Letts were in her two-hander Sympathy Pains, which played at Park90 in Park Theatre’s 2013 opening season. (‘A great show, smart and funny with wonderful performances’ – Peter Capaldi)
Her full-length stage play Prince of Hearts (‘instantly appealing…a highly entertaining, well-structured piece of satire’ – Royal Court Theatre) is looking for a producer.
As an actress, Ros has recently filmed a new Channel 5 series, Benidorm Is Murder. She was in the 2024 Christmas Special of BBC One’s Beyond Paradise and in Series 1 (Ep 6) of Amazon Prime Video’s Last One Laughing with comedienne Lou Sanders.
And a short film, Mafia, a comedy in which she plays the matriarch of a dysfunctional family, directed by James Cleave and written by Tom Ward-Thomas, won the Audience Choice Award at Soho Film Festival 2025.
Further details: www.rosadler.com
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Lea Sellers
Co-writer
Lea Sellers
Co-writer
Lea Sellers is a writer of stage and screen plays.
Pola, a screenplay co-written with Yvonne Potter, about 1920s movie star Pola Negri, is currently in development.
Baby Come Back, about a woman who gave up her baby for adoption, was showcased at the Leicester Square Theatre. (‘This a unique play by Lea Sellers about a very moving subject which is usually kept hidden.’ – Anna Carteret)
The First Casualty, workshopped with playwright coach Jemma Kennedy, is about a fearless news correspondent who finds her professional and personal lives clashing while under siege in a war zone.
A Passage from India, also developed with Jemma Kennedy, is set in present-day Britain and post-Independence India as old Stella brings her past secrets to life for her granddaughter.
D Minor, workshopped with Summer Stock Theatre, charts a young cellist’s mental health journey as she battles anxiety and depression.
Drawing on her career as a television news producer for BBC Question Time, Newsnight and Channel 4 News, Lea also works as a media trainer and moderator.
She has an MA in Screenwriting.
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Kate Fahy
Director
Kate Fahy
Director
Acting in theatre and television over four decades, Kate is known for her leading role in Edward Albee’s The Goat at the Almeida and Apollo theatres, her recent appearance in Dear Octopus at the National Theatre, and playing Margaret Thatcher in Moira Buffini’s Handbagged four times… on tour, in Washington DC, in New York, and finally back at the Kiln Theatre in 2022.
Film credits include Joanna Hogg’s Archipelago with Tom Hiddleston and, most recently, The Conjuring: Last Rites in 2025. Many years of TV, most recently seen in ITV’s Gone with David Morrissey (2026).
Directing credits include Oliver Cotton’s brilliant comedy Wet Weather Cover at King’s Head and Arts Theatre West End, Jean-Claude Carriere’s only play Little Black Book (L’Aide Memoire) at the Park Theatre, and more recently at the Park, Alexander Bodin-Saphir’s play Rosenbaum’s Rescue.
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William Fricker
Set & Costume Designer
William Fricker
Set & Costume Designer
William’s work in theatre includes Hansel and Gretel at Shakespeare’s Globe; Rapunzel at Stratford East (2018 Great British Pantomime Award nomination); Rosenbaum’s Rescue at Park Theatre; Kindertransport and A Christmas Carol for The Chickenshed; The Glass Menagerie, Dick Whittington and Sleeping Beauty at Chipping Norton Theatre; Lay Down Your Cross at Hampstead Theatre; and Hansel and Gretel, Ali Ba Ba and Pinocchio at Theatre Royal Margate; Opera includes co-designs for Fête Galante and The Dark Lady of the Sonnets for Pegasus Opera at the Britten Theatre and Le Nozze di Figaro for Die Volksoper, Vienna.
His associate design credits (as well as WarHorse which he has delivered in many countries) include The UK tour of Sunny Afternoon, Hello, Dolly! at London Palladium, Die Zauberflöte for Dutch National Opera; and Die Lustige Weiberfor Die Volksoper, Vienna, Grease – The Immersive Movie Musical for Secret Cinema. William was a 2001 Linbury Prize for Stage Design finalist.
www.williamfricker.design
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Oliver Fenwick
Lighting Designer
Oliver Fenwick
Lighting Designer
Theatre work includes: The Jungle Book, Bacchae, Alterations, Dear Octopus, The Father and the Assassin, Blues For An Alabama Sky, Kerry Jackson, Tartuffe – the Imposter, The Great Wave, Ugly Lies the Bone, The Motherfcker with the Hat*, The Holy Rosenbergs and Happy Now (National Theatre); The Boy Who Harnessed the Wind (also Sohoplace), The School for Scandal, The Magician’s Elephant, Love’s Labour’s Lost, Much Ado About Nothing, The Jew of Malta, Wendy and Peter Pan, The Winter’s Tale, The Taming of the Shrew, Julius Caesar, The Drunks and The Grain Store (RSC); Reykjavik; Genesis; Mother Christmas; Gloria; Occupational Hazards and Reasons to Be Happy (Hampstead Theatre); Girls & Boys (also in New York), Lela & Co, Routes, The Witness and Disconnect (Royal Court); Clyde’s, Sweat, Trouble in Butetown, One Night in Miami, The Vote and Berenice (Donmar); Ulster American (Riverside Studios); My City and Ruined (Almeida); The Passover, The Invisible Hand, Holy Sh!t, White Teeth, Red Velvet (also St Ann’s, New York), Paper Dolls and Handbagged (Kiln); After Miss Julie (Young Vic); Saved and A Midsummer Night’s Dream (Lyric, Hammersmith); To Kill a Mockingbird, The Beggar’s Opera (Regent’s Park); Into the Woods and Sunday in the Park with George (Châtelet Paris).
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Julian Starr
Sound Designer
Julian Starr
Sound Designer
Julian studied at the National Institute of Dramatic Arts (NIDA), was detailed in Australia’s Stage Whispers as one of the ‘Top 4 Sound Designer and Composers in Australia’ and is currently the Associate Sound Designer at the Finborough Theatre.
Recent sound design work includes: Holy Fool (Park Theatre); Do Not Go Gentle (Queensland Theatre); The Hidden Dangers of Camping (Composer – Theatre Royal Windsor); Tirra Lirra by the River (Byron Theatre); Invisible Me (Southwark Little); Yentl (Marylebone Theatre); Prima Facie (NORPA); Four Play(King’s Head Theatre); Echo (King’s Head Theatre); Seagull: True Story (Marylebone Theatre); The Wanderers (Marylebone Theatre); This Bitter Earth (Soho Theatre); Diagnosis (Finborough Theatre); Dear Martin (Arcola Theatre); Miracle on 34th Street (HOME Manchester); The River (Greenwich Theatre); The End (Bush Theatre); Bombay Superstars (UK Tour); 23.5 Hours (Park Theatre); F**king Men (Waterloo East); The Picture of Dorian Gray (Associate Sound Designer – Theatre Royal Haymarket); Sharon Osbourne – Cut The Crap! (Fortune Theatre); The White Factory (Marylebone Theatre – OffieNomination for Best Sound Design); Miss Peony (Australian Tour); Song From Far Away (HOME Manchester, Hampstead Theatre and BBC Radio 4); ZOG (West End and UK tour); Rose (West End, Hope Mill, Park Theatre – Offie Nominated for Best Sound Design); Return To The Dirt (Queensland Theatre Company); Animal (Park Theatre and UK Tour); Sleepwalking (Hampstead Theatre); Scrounger (Offie Nomination for Best Sound Design); The Dwarfs (White Bear Theatre – Offie Nomination for Best Sound Design) and Aisha (Tristan Bates – Offie Nomination Best Sound Design).
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Raffaela Pancucci
Associate Sound Designer
Raffaela Pancucci
Associate Sound Designer
Training: Theatre Sound at The Royal Central School of Speech and Drama.
As Sound Designer: Private Lives (Reading Rep); Lenny (Omnibus Theatre); 1.17am (Theatre503); Marshmallow Me(Harlow Playhouse, Red Lion Theatre); Basic Bald Btch* (Brixton House); Last Black Girl on Earth (Camden Roundhouse); Invisible Animal (The Omnibus Theatre); Then, Now & Next (Southwark Playhouse Borough); Beasts(ZOO Playground Edinburgh); Please Feel Free to Share (Pleasance Attic Edinburgh, Theatre503); Phaedra (The Omnibus Theatre); Man Muck (Etcetera Theatre); Deepfake (Sadler’s Wells East and UK Tour).
As Associate or Assistant Sound Designer: Cyrano de Bergerac (Noel Coward Theatre); Black Sheep (UK Tour); Romans (Almeida Theatre); Ordinary Decent Criminal (Edinburgh Fringe); Figures in Extinction Trilogy (European Tour); War Horse (UK Tour); Death of England, Death of England: Delroy, Death of England: Closing Time(@sohoplace); Jekyll and Hyde (National Theatre Schools Tour); Death of England: Closing Time (Dorfman Theatre); Stranger Things: The First Shadow (Phoenix Theatre); When Winston Went To War With The Wireless (Donmar Warehouse); The Paddington Bear Experience (County Hall); Monopoly Lifesized (Tottenham Court Road); Animal Farm(Birmingham Rep and UK Tour); and The Body Remembers (Battersea Arts Centre and UK Tour).
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Joanna Coe
Costume Supervisor
Joanna Coe
Costume Supervisor
Johanna Coe’s costume design work includes Ugly Lies the Bone at the National Theatre; Stella at the Brighton Festival and Hoxton Hall; The Truth at the Apollo Theatre; John Proctor is the Villain at the Royal Court Theatre and Endgame at the Donmar. Associate costume design work includes The Witches, War Horse (also West End and international), The Caucasian Chalk Circle (with Complicité), Translations and Paradise at the National Theatre; Drive Your Plow Over the Bones of the Dead (2022–2023) at Theatre Royal Plymouth, Bristol Old Vic and the Barbican; This House at Chichester; and The Importance of Being Earnest (for National Theatre Productions) and The Lion, the Witch and the Wardrobe in the West End. Costume supervision includes Assassins at Chichester; A Number at the Bridge; The Prime of Miss Jean Brodieat the Donmar; and Night of the Iguana and The Glass Menagerie in the West End. Assistant costume design work for TV includes Harlots and The Sound of Music Live (TV BAFTA for Outstanding Costume).
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Lucy Barter
Stage Manager
Lucy Barter
Stage Manager
Lucy Barter has been working as a professional stage manager for almost 40 years, covering all aspects of theatre, events, both community and corporate, plus diversifying her role into radio drama, TV and film. Recent work includes CSM for Dracapella and DSM for Whodunnit 4 Unrehearsed both at The Park; she, also, tours regularly with comedians Sandi Toksvig, Miles Jupp and Punt and Dennis. And is very happy to be back at The Park with this wonderful production.
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Elsie O'Rourke
Stage Manager
Elsie O'Rourke
Stage Manager
Elsie O’Rourke is a freelance stage manager who, since graduating from RADA in 2022, has worked on productions such as Rose (Park Theatre/Ambassadors Theatre), Animal (Park Theatre/Hope Mill Theatre), Elephant (Bush Theatre), Father Christmas (Lyric Hammersmith Theatre), This Bitter Earth (Soho Theatre) and Whodunnit [Unrehearsed] 4 (Park Theatre).
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Matthew Carnazza
Lighting Programmer
Matthew Carnazza
Lighting Programmer
Matt trained at Rose Bruford College in Lighting Design and works across lighting for theatre, dance, and touring productions.
Theatre credits include: Previous theatre credits as lighting designer include: Boy-ish (Matsena Productions, Welsh tour) (Just Enough Madness (DanceCity), Restless Natives (Leith Theatre), Shock Horror (Thunder Road, UK Tour), The Light House (Leeds Playhouse/UK Tour, Red Ladder Theatre Company); Tomorrow Is Already Dead (Soho Theatre, Hackney Showrooms), Force of Nature (International Tour, Bloom Dance Project); 122 Love Stories (Harrogate Theatre, All Points North).
Theatre credits as relighter/associate/programmer include: A Thousand Splendid Suns (Birmingham Rep & Tour), National Youth Dance Company 2025 & 2026 (Sadlers Wells & tour), All Blood Runs Red (UK Tour, Imitating the Dog), Now (UK Tour, Jasmin Vardimon Company), Nutcracker (Southbank Centre, McOnie Company); The Clothes They Stood Up In (Nottingham Playhouse); ALiCE (UK Tour, Jasmin Vardimon Company), Here & Now (UK Tour, McNicol Ballet Corlective), Here (Southwark Playhouse, Papa Tango), Old Bridge (Bush Theatre, Papa Tango).
Matt has also worked as Production Manager for Jasmin Vardimon Company, Sadler’s Wells, Imitating the Dog, and DanceCity.
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Alex Firth for TPO Global
Production Manager
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