The Meat Kings! (Inc.) of Brooklyn Heights
By Hannah Doran, Directed by George Turvey
T is the new summer hire at Cafarelli & Sons, an iconic New York butcher, but life in a messy cutting room isn’t glamorous. Mithra Malek (Romeo + Juliet, Hamlet, Anatomy of a Scandal) plays the newcomer, quickly discovering that no-nonsense boss Paula — Jackie Clune (Motherland, Donmar Shakespeare Trilogy, Billy Elliot: the Musical) — is fighting to hold a struggling business together. When the season ends, someone’s for the chop.
With the American Dream of a better life hanging in the balance, JD (Marcello Cruz, Sweat, Much Ado About Nothing, Alex Rider) and Billy (Ash Hunter, Hamilton, A Midsummer Night’s Dream, Bridgerton) find themselves pitted against each other, each determined to secure a future. Around them, David (Eugene McCoy, Girl From the North Country, Groundhog Day, Paddington 2) and T are drawn into shifting alliances and fractured loyalties. But how far will they go to survive?
The Meat Kings! (Inc.) of Brooklyn Heights carves into the dark underbelly of America’s anti-immigration policies and the brutal sacrifices that drive the pursuit of prosperity. Winner of the 2024 Papatango New Writing Prize from a record-breaking 1,589 submissions, Hannah Doran’s searing debut play is directed by Papatango’s Artistic Director, George Turvey (Shook, National Tour & Sky Arts), following previous Prize discoveries that have won Olivier, Critics’ Circle and OffWestEnd awards and remounts in 33 countries. ‘Every year the Papatango Prize comes up with a bit of a cracker.’ The Guardian
Post Show Events
Sat 1 Nov – Post Show Q&A
Catch the 2024 Papatango Prize-winning play by Hannah Doran, followed by an exclusive post-show Q&A with Hannah, director George Turvey and other creatives.
Wed 19 Nov – Post Show Discussion
AMERICA: WHO BELONGS?
Join Brad Blitz (Professor of International Politics and Policy, UCL), Fionna Smyth (Director of Campaigns, Policy and Programmes, War on Want), Marcello Cruz (JD in The Meat kings (Inc.) of Brooklyn Heights (Park Theatre), Sweat (Royal Exchange Theatre) and Hannah Doran, Papatango Prize-winning writer of The Meat Kings!… for a thought-provoking discussion inspired by the play.
The panel will unpack the urgent and polarised debate around immigration, asking how it shapes the way we live, work, and define ourselves as a society. If every dream has a price, who pays it?
Papatango Theatre Company and Park Theatre present the World Premiere of the 2024 Papatango New Writing Prize Winner.
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Evenings
19:30
Thu & Sat15:00
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Duration
TBC
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Tickets
£15 - £49.50
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Genre
Drama
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Age guidance
12+
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Content warnings
This production contains butchery, cutting of meat, fake blood, references to prison and strong language.
Gallery








Cast and creatives
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Jackie Clune
Paula
Jackie Clune
Paula
Her theatre credits include Otherland (Almeida Theatre), Just For One Day (The Old Vic), Grenfell (National Theatre; St Ann’s Warehouse, New York), Dr Semmelweis (Bristol Old Vic), Measure for Measure, [BLANK] and The Vote (Donmar Warehouse), Julius Caesar, Henry IV and The Tempest (Donmar Warehouse; St Ann’s Warehouse, New York), Utility (Orange Tree Theatre), Candide (Menier Chocolate Factory), Fallen Angels (Salisbury Playhouse), 9 to 5: The Musical (UK tour), Billy Elliot: The Musical (Victoria Palace Theatre), Mamma Mia! (international tour) and Mogadishu (Lyric Hammersmith). Her television credits include The Couple Next Door, Grace, Towards Zero, Mandy, Motherland, Borderline, Stephen, Three Girls, Ghosts, Father Brown, Marriage and The Blue; and for film, The Great Escaper, Denial, Breathtaking and Jawbone. Clune is also a stand-up comedian and the author of four books.
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Marcello Cruz
JD
Marcello Cruz
JD
His theatre credits include Rare Earth Metal (Royal Court Theatre), Sweat (Royal Exchange Theatre), Much Ado About Nothing (Shakespeare’s Globe), Romeo and Juliet (Orange Tree Theatre) and Twelfth Night and Hamlet (Shakespeare’s Rose Theatre). His television credits include Silo, Alex Rider and The Man Who Fell To Earth; and for film, The 355.
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Ash Hunter
Billy
Ash Hunter
Billy
His theatre credits include Grenfell (National Theatre; St Ann’s Warehouse, New York), Macbeth (Leeds Playhouse), Wuthering Heights (Bristol Old Vic, National Theatre), Hamilton (Victoria Palace Theatre), HY Brasil (The Old Vic), Pitcairn (Shakespeare’s Globe), God’s Property (Soho Theatre), Unrivalled Landscape (Orange Tree Theatre), A Midsummer Night’s Dream (Almeida Theatre), Gravity (Birmingham Rep) and A Clockwork Orange (Theatre Royal Stratford East). His television credits include Grace, Bridgerton, Harlots, The Trial of Christine Keeler, Death in Paradise, The Secret Agent, Alma’s Not Normal, Wolfblood and Switch; and for film, Intrigo: Dear Agnes and The Thief.
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Mithra Malek
T
Mithra Malek
T
Her theatre credits include Romeo + Juliet (Circle in the Square Theatre, New York), and Hamlet, The Cherry Orchard and Love From a Stranger (Theatre Royal Windsor). Her television credits include Anatomy of a Scandal; and for film, Hamlet, Party People, Tala and Now You See Me 2.
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Eugene McCoy
David
Eugene McCoy
David
His theatre credits include Girl From the North Country, Groundhog Day and A Christmas Carol (The Old Vic), Natasha, Pierre and the Great Comet of 1812 (Donmar Warehouse), The 39 Steps (UK tour, Trafalgar Theatre), Legally Blonde (Regent’s Park Open Air Theatre), The Man in the White Suit (Wyndham’s Theatre, Theatre Royal Bath), Man of La Mancha (London Coliseum), The Pajama Game (Shaftesbury Theatre, Chichester Festival Theatre), American Psycho (Almeida Theatre), Jersey Boys (Prince Edward Theatre), Little Shop of Horrors (UK tour), They’re Playing Our Song (Menier Chocolate Factory), Oklahoma! (Chichester Festival Theatre), Guys and Dolls (Piccadilly Theatre), Mamma Mia! (Prince of Wales Theatre) and Hollywood Symphonic (EC1 International). His television credits include Donkey and Little Crackers; and for film, Wonka, Matilda, Unforgotten and Paddington 2.
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Hannah Doran
Playwright
Hannah Doran
Playwright
Hannah is a British-Irish playwright and screenwriter whose work has been developed and workshopped in the UK, USA and Australia. She received her MFA from NYU’s Tisch School of the Arts in 2018. She was selected for the National MFA Playwrights’ Festival in 2017 with her short play A Last Night on Earth, which was produced by Theater Masters in Aspen, Colorado, and subsequently Off-Off-Broadway at Theater for the New City. Based in London, Hannah is a bookseller and a member of the National Theatre’s script reading team.
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George Turvey
Director
George Turvey
Director
George co-founded Papatango in 2007 and became its sole Artistic Director in January 2013. In 2022 he was awarded the Genesis Foundation Prize and was also named in The Stage 25. As a dramaturg, he has led the development of all of Papatango’s productions, including the Olivier Awardwinning Old Bridge. Direction for Papatango includes Some Demon (Arcola Theatre & Bristol Old Vic, nominated for the OffWestEnd Award for Best Director); Shook (Southwark Playhouse/UK tour, nominated for 7 OffWestEnd Awards including Best Director and Best Production, also broadcast on Sky Arts); The Watch House (UK tour); Here (Southwark Playhouse, nominated for 3 OffWestEnd Awards); The Silence and the Noise (UK tour); Hanna (Arcola Theatre/UK tour); The Annihilation of Jessie Leadbeater (ALRA); After Independence (Arcola Theatre/BBC Radio 4, winner of the Alfred Fagon Audience Award); Leopoldville (Tristan Bates Theatre) and Angel (Pleasance London/Tristan Bates Theatre). He trained at ALRA and on the National Theatre Studio Directors’ Course, and is the co-author of Being A Playwright: A Career Guide For Writers.
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Mona Camille
Designer
Mona Camille
Designer
Mona is an award-winning designer with a background in architecture. She works across theatre, dance and film in the UK and internationally.Theatre includes We Aren’t Kids Anymore (Savoy Theatre), How To Fight Loneliness (Park Theatre), Kim’s Convenience (Riverside Studios/Park Theatre/UK tour), More… Ghost Stories by Candlelight (Sam Wanamaker Playhouse/UK tour), We All Know How This Ends (Theatre Royal Stratford East), Canned Goods (Southwark Playhouse) and Milk & Gall (Theatre503).Screen work includes Camaleonte and Loyal.Associate design includes A View from the Bridge (Headlong Theatre/Chichester Festival Theatre/Octagon Bolton/Rose Theatre), Henry V (Headlong Theatre/Sam Wanamaker Playhouse/UK tour), Worth (Arcola Theatre/Storyhouse Chester) and Raya (Hampstead Theatre).Mona is also a tutor and lecturer at both the Architectural Association School of Architecture and Buckinghamshire New University. -
Bethany Gupwell
Lighting Designer
Bethany Gupwell
Lighting Designer
Bethany trained at the Royal Central School of Speech and Drama. In 2018 she was awarded the Association of Lighting Designers’ Francis Reid Award.Theatre includes All’s Well That Ends Well (Shakespeare’s Globe); Larmes de Couteat / Full Moon in March (Royal Opera House); Escaped Alone / What If Only and Shed: Exploded View (Royal Exchange Theatre); Twelfth Night, Quiet Songs, A Play for the Living in a Time of Extinction and Lay Down Your Burdens (Barbican); La Voix Humaine (Opéra National du Rhin); Dead Woman (Schaubuhne); Visit from an Unknown Woman, This Much I Know, To Have and to Hold (OffWestEnd Award nomination), Little Scratch and Wolf Cub (Hampstead Theatre); The Earthworks (Young Vic); Robin Hood (Theatre Royal Bath); Here and The Woods (Southwark Playhouse); Lady Dealer (Bush Theatre); War & Culture, Little Scratch and Keep Watching (New Diorama Theatre); Ignition (Frantic Assembly); The Pirate, the Princess and the Platypus (Polka Theatre); A-Typical Rainbow (OffWestEnd Award nomination, Turbine Theatre); In Praise Of Love, Rice and Little Baby Jesus (Orange Tree Theatre); Little Brother, Brown Girls Do It Too: Mama Told Me Not to Come, Fitter and Wonder Winterland (Soho Theatre) and Talking Heads (Watford Palace Theatre). -
Asaf Zohar
Composer & Sound Designer
Asaf Zohar
Composer & Sound Designer
Asaf trained at the Royal College of Music.Theatre includes Ballet Shoes and The Estate (National Theatre); Measure for Measure (RSC); Macbeth (UK & international tours); God of Carnage (Lyric Hammersmith); Some Demon, Here and The Silence and the Noise (Papatango); Sessions and Whitewash (Soho Theatre); Peter Pan Reimagined (Birmingham Rep); Farewell Mister Haffman, The Shape of Things and Disruption (Park Theatre); My Mother’s Funeral: The Show (UK tour); Dennis of Penge (Guildhall School of Music and Drama/Ovalhouse/Albany Deptford); Sorry, You’re Not A Winner (Bristol Old Vic/Theatre Royal, Plymouth); Nanny (Bristol Old Vic); Captain Amazing, The Bleeding Tree, The Bit-Players and Romeo and Juliet (Southwark Playhouse); Waiting for Anya (Barn Theatre); Bright Half Life (King’s Head Theatre); Wild Country (Camden People’s Theatre); The Goose Who Flew (Half Moon Theatre) and The Shadowpunk Revolutions (Edinburgh Festival).Television includes Reggie Yates: Extreme Russia; Reggie Yates: Race Riots USA; Reggie Yates: Extreme UK; Reggie Yates: Extreme South Africa and Dispatches: Taliban Child Fighters, in addition to in-house work for Virgin Media and various media companies.His film work has been shown at Cannes, BAFTA, Edinburgh and Encounters festivals. -
Rachael Nanyonjo
Movement Director
Rachael Nanyonjo
Movement Director
Rachael is a Ugandan-British director, choreographer and movement director. She trained at Middlesex University and Roehampton University.
Theatre as movement director includes Macbeth (ETT/Lyric Hammersmith), My Mother’s Funeral (Edinburgh Festival/Bristol Old Vic/Coventry Belgrade/Soho Playhouse, New York), Stolen Ground (Théâtre des Capucins, Luxembourg), Moby Dick (UK tour), Boys From the Blackstuff (Liverpool Royal Court/National Theatre/West End), Misty (West End/The Shed, New York), The P Word (Olivier Award Winner, Bush Theatre), Dumbledore Is So Gay (Southwark Playhouse), The Tempest (Shakespeare’s Globe), Purple Snowflakes & Titty Wanks (Abbey Theatre/Royal Court Theatre), Trouble in Mind (National Theatre), Changing Destiny (Young Vic), Either (Hampstead Theatre), Two Trains Running (ETT/Royal & Derngate Theatres), Sleeping Beauty (Theatre Royal Stratford East), Shebeen (Nottingham Playhouse/Theatre Royal Stratford East) and Bernstein’s MASS (Southbank Centre).
Theatre as director includes Recognition (Talawa Theatre, OffWestEnd Award-nominated for Best Director and Best Choreography and winner of the OffWestEnd Award for Best Musical Direction) and Next Please (Almeida Theatre).
Theatre as associate director includes Retrograde (West End), Play On (Talawa Theatre) and Newsies (Troubadour Theatre).
Television includes A Pack of Lies, CBEEBIES: Christmas in Storyland and Pirates.
Film includes Love At First Sight.
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Natalia Alvarez
Costume Supervisor
Natalia Alvarez
Costume Supervisor
Natalia trained at Wimbledon College of Arts.Theatre as costume supervisor includes Antony and Cleopatra (Shakespeare’s Globe), Uncle Vanya, Duet for One, Arms and the Man and Statements After an Arrest Under the Immorality Act (Orange Tree Theatre), Journey of a Refugee (Theatre Rites) and Under the Kundè Tree and Here (Southwark Playhouse).Theatre as associate designer includes Friends the Parody Musical (UK tour), Saturday Night Fever – Das Kult Musical (German tour), Nine and Assassins (Royal College of Music), Oscar at the Crown (The Crown), Midnight Cowboy (Southwark Playhouse), Nikita Kuzman: Midnight Dancer (UK tour), A Christmas Carol (Lowry), The Creakers Musical (Theatre Royal, Plymouth), Aladdin (Everyman Theatre, Cheltenham), Lizzie (Hope Mill Theatre) and I Am Here: Oti Mabuse (UK tour).Theatre as costume designer includes No Limits (Turbine Theatre), Chess (Leicester Curve), Closer Than Ever (Charing Cross Theatre), Lift: The Musical (Southwark Playhouse), The Last Five Years (Minack Theatre) and Paperboy (Lyric Theatre, Belfast). -
Caitlin Stegemoller
Dialect Coach
Caitlin Stegemoller
Dialect Coach
Caitlin is a London-based voice and dialect coach originally from the USA. Caitlin trained at the Royal Central School of Speech and Drama and the University of Arizona.Theatre includes Here We Are and The Witches (National Theatre), Operation Mincemeat (Broadway/West End), Fiddler on the Roof (Regent’s Park Open Air Theatre), The Band’s Visit (Donmar Warehouse), Untitled F**k M*ss S**gon (Royal Exchange/Young Vic), The Code (Southwark Playhouse), Disruption (Park Theatre), Buyer & Cellar (King’s Head Theatre), RIDE: A New Musical (Leicester Curve) and The Winter’s Tale (Minack Theatre).Television includes Silo.Radio includes People Who Knew Me.Caitlin is a senior voice tutor at ArtsEd and a designated Linklater Voice teacher. -
Hope Wishart
Assistant Director
Hope Wishart
Assistant Director
Hope trained at Drama Centre and LAMDA.Theatre includes A Microscopic Odyssey (Theatre 503).Film includes Still a’ Dancing, The Sound of Home, My Love, My Lebanon, Petit Paradis and Patrick O’Hara Creative Portrait.Radio includes Company 3 for Bristol Old Vic Archive. -
Nadine Rennie CDG
Casting Director
Nadine Rennie CDG
Casting Director
Nadine is Co-Chair of the Casting Directors Guild & Creative Associate at Synergy Theatre Project. Prior to going Freelance, Nadine was in-house Casting Director at Soho Theatre for over fifteen years.
Current projects include Philip Ridley’s infamous first play The Pitchfork Disney (Lidless Theatre at The Kings Head Theatre); ELMET ( Javaad Alipoor Company – a commission for Bradford 2025); LIFERS by Evan Placey (Synergy Theatre Project at Southwark Playhouse) Scenes From The Climate Era by David Finnigan (Gate Theatre) and Dracapella (Park Theatre).
Previous theatre includes Providers (Synergy Theatre at Brixton House); Expendable (Royal Court); Miracle on 34th Street (HOME Manchester); Pig Heart Boy (Unicorn/tour); Wish You Were Here (Gate); The Flea (Yard); My Mother’s Funeral: The Show (Paines Plough); Miss Julie (Park); Dead Girls Rising (Silent Uproar); We Could All Be Perfect (Sheffield Theatres); He Said She Said (Kiln); Wreckage (King’s Head); Breeding (King’s Head); Leaves of Glass (Park); Further Than The Furthest Thing (Minack); SHED: Exploded View (Royal Exchange); Bacon (Finborough); Es & Flo (WMC & Kiln); Super High Resolution (Soho); Britannicus (Lyric);The Breach (Hampstead); The Ministry of Lesbian Affairs (Soho); Typical Girls (Sheffield Theatres); Run Sister Run (Paines Plough); Little Baby Jesus (Orange Tree); The Last King of Scotland (Sheffield Theatres) and There Are No Beginnings (Leeds).
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Joshua Goodman
Producer
Joshua Goodman
Producer
Joshua is Producer and Programmer at Park Theatre. A multidisciplinary theatre-maker, writer, composer and creative producer, his work has been described as ‘genuinely euphoric’ (The Guardian) and ‘charmingly perfect’ (KulturFreak).Recent theatre includes Perfect Show For Rachel (Barbican Centre/Brighton Festival/ILT Festival; OffWestEnd Award Winner); My Life As a Cowboy (Omnibus Theatre); Night Shift (Zoo Co); Twelfth Night, The Tempest and Live Bolero (Nottingham Playhouse); She Loves Me (Sheffield Theatres); Something Special (Birmingham Rep); The Jungle Book and Lysistrata (Lakeside Arts); Pygmalion (English Theatre Frankfurt); Operation Hummingbird, The Firework Maker’s Daughter and The Beggars of York (York Theatre Royal); Valuable (Mind The Gap); She Was Walking Home, Colder Than Here and Any Mother Would (Next Door But One); Cinderella (Queen’s Theatre, Hornchurch); Moby Dick (UK tour) and Home Sweet Home (Freedom Studios/UK tour).Film includes See You Next Saturday and Heat.Josh is also a dramaturg and theatre historian, earning a PhD on the relationship between Broadway, Hollywood and the London stage. He has lectured at NYU, University of Southern California, Great American Songbook Foundation, Academy of Motion Picture Arts and Sciences, BFI and King’s College London. He is an Advanced Member of Book, Music and Lyrics, London’s only professional musical theatre writing workshop. -
Chris Foxon
Producer
Chris Foxon
Producer
Chris is Executive Director of Papatango and was named in The Stage 25.Papatango productions include The Watch House (UK tour); Some Demon (Arcola Theatre/Bristol Old Vic); Old Bridge (winner of the Olivier Award for Outstanding Achievement in Affiliate Theatre, Bush Theatre); Some of Us Exist in the Future, The Silence and the Noise and Ghost Stories from an Old Country (UK tour); Shook (Southwark Playhouse/UK tour; also broadcast on Sky Arts); The Funeral Director (Southwark Playhouse/UK tour); Hanna (Arcola Theatre/UK tour); Here, Trestle, Orca and Tomcat (Southwark Playhouse); After Independence (winner of the Alfred Fagon Audience Award, Arcola Theatre/BBC Radio 4) and Coolatully, Unscorched, Pack and Everyday Maps for Everyday Use (Finborough Theatre).Chris’s other productions include: The Transatlantic Commissions (Old Vic); Donkey Heart (Old Red Lion Theatre/West End); The Fear of Breathing (Finborough Theatre/Akasaka Red Theatre, Tokyo); The Keepers of Infinite Space (Park Theatre) and Happy New (West End).He wrote The Watch House (UK tour; published by Bloomsbury) and is co-author of Being A Playwright: A Career Guide For Writers.Chris is a trustee of Novo Theatre in his native Northumberland. A graduate of both Oxford University and the Royal Central School of Speech and Drama, he has lectured at these institutions and many others. -
Matthew Carnazza
Lighting Programmer & Production Electrician
Matthew Carnazza
Lighting Programmer & Production Electrician
Matt trained at Rose Bruford College.Theatre as lighting designer includes Restless Natives (Leith Theatre), Shock Horror (UK tour), The Light House (Leeds Playhouse/UK tour), Tomorrow Is Already Dead (Soho Theatre/Hackney Showrooms), Force of Nature (international tour) and 122 Love Stories (Harrogate Theatre).Theatre as associate/programmer includes A Thousand Splendid Suns (Birmingham Rep/UK tour), National Youth Dance Company (Sadler’s Wells/UK tour), Nutcracker(Southbank Centre), The Clothes They Stood Up In (Nottingham Playhouse), All Blood Runs Red, Now, ALiCE and Here & Now (UK tours), Here (Southwark Playhouse), Old Bridge (Bush Theatre) and Some Demon (Arcola Theatre/Bristol Old Vic).Matt has also been Technical Manager for Jasmin Vardimon Company, Sadler’s Wells, Imitating the Dog and DanceCity.
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