aggy
By Paul Bradshaw, Co-directed by Paul Bradshaw & Imogen Frances
Lawrence and Mahlik have been together for a year. It’s going pretty well on all accounts. So when Mahlik’s contract is up at his flat, it’s only logical that they move in together.
After a particularly tough rejection, Mahlik makes a risky suggestion for Lawrence’s next project, proposing that Lawrence present as an alter ego to secure more opportunities. As success starts to roll in, this fabricated persona leaves the couple facing uncomfortable truths neither of them can ignore.
aggy is a bold one-act play exploring privilege, gender, race and creativity. It’s about art and who gets to make it. The play unflinchingly examines how people freely police one another, and how this can lead to destruction.
Previous Praise for Bradshaw: “(tell me straight) is a deftly written piece packed with light, sophisticated humour…thought-provoking comedy, showcasing a promising new talent” – The Stage
The world premiere of aggy is presented in a double-bill alongside Bradshaw’s multiple award-winning debut play tell me straight. Buy tickets for both productions and save 20% on your tickets. The discount will automatically apply once both events are added to your basket.
SH Productions and telling tales in association with Park Theatre.
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Evenings
20.45
Thu & Sat16.15
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Duration
Approx 70 mins
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Tickets
£15 - £20
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Genre
Drama
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Age guidance
16+
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Content warnings
Contains strong language, upsetting themes and haze.
Content Warnings
Contains strong language, upsetting themes and haze.
Our content warnings are updated as a production evolves through rehearsals and previews, so please note they may change between booking a ticket and seeing the production.
Cast & Creatives
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Matthew Jordan
Lawrence
Matthew Jordan
Lawrence
Matthew is best known for playing the strong supporting role of Filip in the hit Netflix drama series Geek Girl directed by Declan O’Dwyer and based on the young adult novel of the same name by Holly Smale. He has just finished filming series 2. Matthew will be making his stage debut in aggy.
Film credits include: The Phoenician Scheme (Wes Anderson).
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Jean-Luke Worrell
Mahlik
Jean-Luke Worrell
Mahlik
Jean-Luke trained at Mountview Academy of Theatre Arts.
West End Theatre credits include: Peter Pan Goes Wrong (The Lyric Theatre); The Comedy About a Bank Robbery (Criterion Theatre).
Other Theatre credits include: Peter Pan Goes Wrong (UK Tour); A Strange Loop (The Barbican Centre); Cluedo (UK Tour); Cinderella (Greenwich Theatre); Yarico (London Theatre Workshop); Robinson Crusoe and The Pirate Queen (The Theatre Chipping Norton).
Film Credits include: The Magic Faraway Tree (forthcoming).
Workshops include: Adder in The Animals of Farthing Wood and Paris/Ensemble in Rhesus.
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Jack Gittins
Rex
Jack Gittins
Rex
Jack (he/they) graduated Rose Bruford College’s BA Acting course in 2024.
Theatre credits include: Shooting Star The Musical (Scott Le Crass), Zanna Don’t (Birmingham’s Old Joint Stock Theatre).
Jack is also a drag artist going by the name of Climax – she won The Next Drag Superstar 2025, The Nottingham Drag Pageant 2025 and the Bohemia Ball 2025. She is hitting London like a storm and taking off her new production The Final Acts on 11th February at The Divine, Stoke Newington Road.
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Paul Bradshaw
Writer & Co-Director
Paul Bradshaw
Writer & Co-Director
Paul (he/him) is an award-winning benefit-class actor, writer and director from London. He self-funded his drama school training at Mountview and since graduating has worked across stage,screen, and voiceover including in the original cast of The Clockmaker’s Daughter; A Christmas Carol (Lyceum Theatre – West End) and Holby City (BBC). After the Grenfell fire he felt compelled to tell stories about his experience growing up on a council estate in West London surrounded by immense wealth.
Writing credits: tell me straight (King’s Head Theatre & Chiswick Playhouse – Standing Ovation Award for Best New Play & OFFIE commendation); The Barn (Turbine Theatre – OnComm Nomination); West 11 (Southwark Playhouse); Feel More (The Space & Lion and Unicorn) and Two Cities (Criterion – West End). Short Film: Fizzy.
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Imogen Frances
Co-Director
Imogen Frances
Co-Director
Imogen (they/she) is a London & Devon-based Director, Intimacy Director, Writer, and Actor, passionate about uplifting the stories and voices of marginalised genders, sexualities & identities.
Directing credits: tell me straight (King’s Head Theatre & Chiswick Playhouse – Standing Ovation Award for Best New Play & OFFIE commendation); The Immigrant Play (The Bread & Roses). They’ve directed numerous drama school productions including Yerma; Dogville (Rose Bruford College); The Cherry Orchard and The Seagull (Italia Conti)
Intimacy Director credits: Barrier(s) (Birmingham Rep, Home, Camden People’s Theatre); Outlying Islands (Jermyn Street Theatre); Bellringers (Hampstead Theatre); Cianalas (King’s Head Theatre)
Writing credits: Star Cross’d, Co-written with Tanya Bridgeman (Rose Bruford College Commission), ; (pause before continuing) long-listed for the RSC’s 37 Plays Award. Their latest play WOM(b)AN is currently in development and has received support from The Young Vic and Exeter Northcott’s Reclaim festival.
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Steph Hartland (SH Productions)
Producer
Steph Hartland (SH Productions)
Producer
SH Productions is a London-based theatrical production company run by Producer Steph Hartland. Working across musicals and plays, SHP specialises in shows that explore unique approaches that expand the parameters of traditional musical theatre, and in stories of the human experience. Accessibility is at the heart of Steph’s practice, and is threaded through all SH Production shows. Not only do we explore how to make theatre itself less elitist and more accessible in terms of pricing, subject matter, format and location, we also work with accessibility practitioners wherever possible. This includes closed captioning, BSL and audio descriptions for the benefit of audiences, and access support for the benefit of production teams. It also includes running community driven wraparound activity where possible, such as workshops, fundraiser performances and more.
SHP’s credits include Existential Fish & Dread (The Cockpit Theatre, National Tour); Petticoat Council (Warwick Arts Centre, Regional Tour); When Rachel Met Fiona (The Space, London); Yeast Nation (Southwark Playhouse); Borrowed (R&D, Unity Theatre); Bangers (Arcola Theatre, London); All The Happy Things (Soho Theatre) and Sticky (The Nest @ CFT). She is currently working on a slate of 9 shows in various stages of development, ranging from musicals, plays, installations and live performance pieces.
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Cheng Keng
Lighting Designer
Cheng Keng
Lighting Designer
Cheng Keng is a scenographer, lighting and video designer based in London. He trained at Royal Central School of Speech and Drama, completing an MFA in Scenography.
Cheng Keng is a scenographer, lighting and video designer based in London. He trained at Royal Central School of Speech and Drama, completing an MFA in Scenography. Theatre credits include: Loop (Theatre503); The Quiz (Cockpit); Poetess (Jack Dome); Testament (Arcola); Bungalow (Theatre503); Riders To the sea (MAST); The Light Princess (The ARC); Going for Gold (Park Theatre); The Lonesome Death of Eng Bunker (Omnibus); Frankenstein and Rain Weaver (Both Cockpit); Grud (Hampstead Theatre); Grills (CPT); Project Atom Boi and So That You May Go Beyond The Sea (All CPT); 1884 (Shoreditch Town Hall); The Littlest Yak (Marlowe studio); Chriskirkpatrickmas (Seven Dials Playhouse); Tiger (Omnibus); 555: Verlaine En Prison; Double Bill At the statue of Venus and La Voix Humaine (Arcola); 1984 (The Cockpit); Let Your Hands Sing In The Silence (Marlowe Theatre); These Words That’ll Linger Like Ghosts Till The Day I Drop Down Dead (The Pleasance); The Retreat and Pennyroyal (Both Finborough); The Zone (Taoyuan art centre); Sankofa: Before the whitewash (Roundhouse); Beauty and the 7 Beasts (Brixton Jamm); Borders (Drayton Arms Theatre); Blue Island 99 (International Dublin Gay Theatre Festival) and Hello World (National Taichung Theatre, Taiwan).
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Eamonn O'Dwyer
Sound Designer
Eamonn O'Dwyer
Sound Designer
Eamonn is an award-winning composer and sound designer of Caribbean-Irish origin. His work spans genres from live orchestral to electronica and contemporary musical theatre, and he has worked as an instrumentalist, composer, lyricist and sound designer in theatres all over the world. He is an Associate of the Royal Academy of Music, and the winner of the 2025 Black British Theatre Award for Sound Design.
His theatre credits include: Troilus & Cressida (Shakespeare’s Globe); All The Happy Things (Soho); Spitfire Girls (MAST); The Koala Who Could (Unicorn); Hey! Christmas Tree (Minerva, Chichester); Never Let Me Go (Rose, Kingston); The History Boys (Bath Theatre Royal); The Lion Inside (Rose, Kingston); Guy Fawkes (York Theatre Royal); Brief Encounter (Watermill); Lady Chatterley’s Lover (UK Tour); Twelfth Night and Henry V (Shakespeare’s Rose Theatre, York); It Never Happened (ArtsEd); Mrs Beeton Says… (Bristol Old Vic Theatre School); The Legend of Sleepy Hollow (NYMT, The Other Palace); The Comedy of Errors, Romeo & Juliet and Julius Caesar Re-imagined (RSC, Swan); Flesh & Bone (National Theatre Studio); Grimm Tales and Peter Pan (Chichester Festival Theatre); Jeeves & Wooster (Barn, Cirencester); Stones in His Pockets (Dukes, Lancaster); The Glass Menagerie (Theatre Chipping Norton). He is a frequent musical collaborator at the Rose Theatre in Kingston, where he has written original songs and scores for Beauty & The Beast; The Snow Queen; Hansel & Gretel; The Wind in the Willows; The Lion, The Witch & The Wardrobe; A Christmas Carol; Tess of the d’Urbervilles and Arabian Nights.
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Matt Powell
Audio Visual Designer
Matt Powell
Audio Visual Designer
Matt (they/them) is a video designer & director with a passion for crafting reality defying projects, merging the digital and the real world.
Video design and digital credits include: Mrs President (Charing Cross Theatre); Carmen (Royal Academy of Music); Eureka Day (Nottingham Playhouse); Everybody’s Talking about Jamie (Derby Theatre); Young Frankenstein (Hope Mill Theatre/Liverpool Playhouse); Ripples (Stand and Be Counted); The Lightning Thief (UK Tour); Ripples (Stand and Be Counted); A Role to Die For (Marlybourbe Theatre); Sinbad (Saddlers Wells); Echo (Kings Head Theatre, Bibi Rukiya’s Reckless Daughter (Amina Khayyam Dance); High Value Man (Big House Theatre Company); (The) Woman (New Perspectives UK Tour); NINE: In Concert and 34 (The Lowry); Little Shop of Horrors (Crucible Theatre); The Elixir of Love (English National Opera); CAKE: The Marie Antoinette Playlist (The Other Palace); Brace Brace (Royal Court); New Year (Birmingham Opera); Marie Curie: A New Musical (Charing Cross Theatre); Laughing Boy (Jermyn Street Theatre/ Theatre Royal Bath); Sherlock Holmes and the Poison Wood (Watermill Theatre); EXhibitionists (King’s Head Theatre); I Really Do Think That This Will Change Your Life (Pleasance Dome, Edinburgh/ Stage Awards for Innovation Finalist – Mercury Theatre, Colchester); GYPSY: In Concert (Manchester Opera House/ Hope Mill Theatre); Mrs President and Rebecca (Charing Cross Theatre); RIDE: The Musical (The Old Globe/ Curve/ Southwark Playhouse); Animal (Offie finalist – Hope Mill Theatre/ Park Theatre); Accidental Death of an Anarchist (Theatre Royal Haymarket/ Sheffield Theatres/ Lyric Hammersmith); Rumi: The Musical (D’asha Performing Arts Festival/ London Coliseum); Flight (RCM); Nativity (Derby Theatre) and Public Domain (Vaudeville Theatre/ Southwark Playhouse).
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Damien Stanton
Set & Costume Designer
Damien Stanton
Set & Costume Designer
Damien is a London-based designer working across performance, events, installations and experiences.
He was Set Designer on Brainiac Live at the Marylebone Theatre, which won the 2025 Olivier Award for Best Family Show.
Recent design credits include: Jamie Allan’s Amaze (New World Stages, Off-Broadway & Criterion Theatre, West End); Invasive Species (King’s Head Theatre); Bury The Hatchet (Pleasance Queen Dome); Amélie (ArtsEd); Machinal (Mountview); Concord Floral and Borders of Paradise (LAMDA); Transport Explorers (London Transport Museum); The Acts (Barbican); Wonderland in Alice (Octagon Theatre); Brainiac Live (Marylebone Theatre & Dubai Opera House); the Spectrum Roundel Installation (Transport for London); Stephen Mulhern – Beyond Belief (UK Tour); Paddington™ LoComotion (Blenheim Palace) and Peter Rabbit™ Easter Adventure (Covent Garden).
Associate design credits include The Yellow Wallpaper (Sadler’s Wells & Czech National Theatre) and Lisbon Floor (Copenhagen Opera Festival).
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Carrie Croft
Production Manager
Carrie Croft
Production Manager
Carrie is a Production Manager, Producer and General Manager, based in London working in both off-West End and West End theatres. She completed the MA Collaborative Theatre Production and Design course at Guildhall School of Music and Drama with Distinction in 2022.
Recent Theatre Productions include: Jack and the Beanstalk, Invasive Species and The Pitchfork Disney (Kings Head Theatre); Die Rheinnixen (Battersea Arts Centre) Lost Watches and Conversations After Sex (Park Theatre); Stalled (Kings Head Theatre); 10 Nights (National Tour); Cinderella (Queens Theatre Hornchurch); Bombay Superstars (West end and Tour); Echo and Narcissus and Deep Blue Sea (Theatre Royal Bath, Ustinov); Julie: The Musical (The Other Palace); Priscilla the Party (West End); Foam (Finborough Theatre); Othello (Riverside Studios); Birthright (Finborough Theatre); Disruption and Shape of Things (Park Theatre); Rocky Horror 50th Anniversary Gala (West End); Fucking Men (Waterloo East); Breeding (Kings Head Theatre); Under the Black Rock (Arcola Theatre); Sus (Park90, Park Theatre).
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Georgie Rankcom
Dramaturg
Georgie Rankcom
Dramaturg
Georgie is currently the Associate Director for the West End production of Oh, Mary! (Trafalgar Theatre). She is the Artistic Director of The Grey Area Theatre Company where credits include The Frogs, How to Succeed in Business Without Really Trying, Anyone Can Whistle, You Are Here, Before After (Southwark Playhouse Borough); Help! We Are Still Alive (Seven Dials Playhouse); Outside of The Grey Area, directing work includes Dolly Peel: Rebel on the Tyne (Customs House, South Shields); Ivories (Old Red Lion); When We Strike (Southwark Playhouse Elephant) and My Sister Is Missing (Kings Head/The Other Palace).
Associate Director credits include Oh, Mary! (Trafalgar Theatre); The Sex Party (Menier Chocolate Factory) and Fly More Than You Fall (Southwark Playhouse Elephant).
Select a date
Displaying 30 performances for aggy
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Tue 03 Mar 2026
8.45pm
- £15
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Wed 04 Mar 2026
8.45pm
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Thu 05 Mar 2026
8.45pm
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Fri 06 Mar 2026
8.45pm
- £20
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Sat 07 Mar 2026
4.15pm
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Sat 07 Mar 2026
8.45pm
- £20
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Mon 09 Mar 2026
8.45pm
- £20
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Tue 10 Mar 2026
8.45pm
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Wed 11 Mar 2026
8.45pm
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Thu 12 Mar 2026
4.15pm
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Thu 12 Mar 2026
8.45pm
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Fri 13 Mar 2026
8.45pm
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Sat 14 Mar 2026
4.15pm
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Sat 14 Mar 2026
8.45pm
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Mon 16 Mar 2026
8.45pm
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Tue 17 Mar 2026
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Wed 18 Mar 2026
8.45pm
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Thu 19 Mar 2026
4.15pm
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Thu 19 Mar 2026
8.45pm
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Fri 20 Mar 2026
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Sat 21 Mar 2026
4.15pm
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Sat 21 Mar 2026
8.45pm
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Mon 23 Mar 2026
8.45pm
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Tue 24 Mar 2026
8.45pm
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Wed 25 Mar 2026
8.45pm
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Thu 26 Mar 2026
4.15pm
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Thu 26 Mar 2026
8.45pm
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Fri 27 Mar 2026
8.45pm
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Sat 28 Mar 2026
4.15pm
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Sat 28 Mar 2026
8.45pm
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