That Bastard, Puccini!
By James Inverne, Directed by Daniel Slater
It’s 1893. Puccini is close to being hailed as Italy’s newest opera king, but needs to write something to cement his reputation. He’s found the perfect subject: the enchanting love story of La Boheme.
There’s only one problem – fellow composer Ruggero Leoncavallo has thought of it too. And worse still, he’s claiming Puccini stole his idea…
Soon it’s a race between two of Italy’s hottest composers: the battle of the Bohemes. The winner will claim a place in the pantheon, the loser a footnote in history. With riches, rivalry and reputation on the line, both will have to face more than they bargained for. But there’s more to life than great art – isn’t there?
A hilarious, chaotic and captivating new play by James Inverne, That Bastard, Puccini! brings to life an explosive professional rivalry, a plagiarism scandal that rocked Europe, and a friendship tested to the limit. Witness the story behind one of the world’s most famous masterpieces… and as a result, one of the least famous. Both of them titled La Boheme.
RJG Productions Limited in association with Park Theatre.
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Evenings
19:30
Thu & Sat15:00
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Duration
Approx 1 hour and 40 mins inc interval
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Tickets
£15 - £49.50
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Genre
Drama
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Age guidance
14+
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Content warnings
This production contains strong language and haze.
In the press
"This show will pin you to your seat"
The Times on Hir (Park Theatre, 2024)
"Stingingly relevant… confronting and very funny"
The Stage on Hir (Park Theatre, 2024)
"A life-enhancing comedy, expertly conducted"
WhatsOnStage on FANNY (The Watermill Theatre)
Cast and creatives
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James Inverne
Writer
James Inverne
Writer
James Inverne started his writing life as a journalist, just out of university, as Classical CD Reviewer for the Mail On Sunday. Later he became European Performing Arts Correspondent for TIME, a regular arts writer/commentator for the Wall Street Journal, Financial Times, Sunday Telegraph and CNN, and the Editor of Gramophone Magazine. The author of six books (most recently for Faber), his first play, A Walk With Mr Heifetz, had its world premiere Off-Broadway in 2018 (Primary Stages). To date, James has written seven plays (which have received productions or developmental workshops from Ambassador Theatre Group, Theatre Ariel and others) and three films, two of them for IMAX Entertainment. James wrote the feature-length docu-concert films, Cities That Sing: Paris and Cities That Sing: Venice starring Renée Fleming, released in IMAX cinemas across the United States in 2022 and 2023, and another television feature for Bryn Terfel.
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Daniel Slater
Director
Daniel Slater
Director
London born Daniel Slater is internationally recognised as one of today’s leading opera directors. He made his European debut at Opera North in 1998, with a production of The Bartered Bride that was nominated for numerous major awards and went to the Opéra National du Rhin the following year. His American debut followed three years later, an award-winning and muchacclaimed production of Wozzeck at the Santa Fe Festival. On both sides of the Atlantic, his shows are known for their wit and humanity, intelligence and originality, clarity and modernity. Daniel’s opera productions include: Orfeo ed Euridice/Dido & Aeneas, Tamerlano, Belshazzar (Grange Festival); Peter Grimes (Brisbane Festival/Opera Queensland); Die Zauberflöte (Yekaterinburg Opera); Fidelio, Peter Grimes (LPO, Royal Festival Hall); Tannhäuser (Estonian National Opera); Nabucco (Flanders Opera); Lohengrin (San Francisco, Houston Grand Opera, Geneva). For Garsington Opera he has directed The Cunning Little Vixen, Die Entführung aus dem Serail, Don Giovanni (also Birgitta Festival, Tallinn); A Midsummer Night’s Dream, La Cenerentola, Don Pasquale (also Geneva and Caen); La Gazza Ladra; Tristan und Isolde (Norwegian National Opera); Aida, Eugene Onegin (Opera Holland Park); La Traviata (Houston Grand Opera); Salome, Wozzeck (Santa Fe); Peter Grimes (Geneva); Xerxes (Royal Opera, Stockholm); L’Arbore di Diana (Palau de les Arts, Valencia); Samson (Buxton Festival nominated for the Manchester Evening News “Best Opera Production” Award); Fortunio, Rigoletto, Falstaff, Don Giovanni (Grange Park); Betrothal in a Monastery (Glyndebourne, Valencia); Manon Lescaut (Opera North, Norwegian National Opera, Oviedo); L’elisir d’amore (Opera North, WNO, New Zealand Festival, Houston Grand Opera, Pittsburgh Opera, Chicago Lyric, San Francisco); The Bartered Bride (Opera North, Strasbourg, Valencia, New Zealand); The Cunning Little Vixen (Bregenz, San Francisco, Geneva); Il barbiere di Siviglia and Der Vogelhandler (Komische Oper, Berlin) and La Boheme (Scottish Opera, Opera Ireland). Theatre productions include: The Lifespan of a Fact and Romeo and Juliet (Singapore Repertory Theatre); Educating Rita; Making Waves (Stephen Joseph Theatre, Scarborough); Confusions (Salisbury Playhouse); Life Goes On (Haymarket Theatre); Grab the Dog (National Theatre Studio); The Mark (Soho Theatre Company); Gangster Apparel (Old Red Lion); Three Birds Alighting on a Field and The Honest Whore for the Royal Academy of Dramatic Art. A fluent speaker of French, German, Italian, Spanish and Swedish, he began his opera career as an assistant director at Opera North, the ROH and the Opéra National de Paris. Before that he worked as the Associate Director of the Nottingham Playhouse, Acting Artistic Director of the Tricycle Theatre and Artistic Director of Bristol Express. He was educated at the United World College of the Atlantic, at Bristol University, where he took a firstclass degree in English, and at Corpus Christi College, Cambridge, where he received a PhD for his thesis on Nietzsche’s influence on D.H. Lawrence.
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3pm
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3pm
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3pm
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7.30pm
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7.30pm
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3pm
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3pm
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