Spitfire Girls
By Katherine Senior, Directed by Seán Aydon
New Year’s Eve, 1959.
Decades after answering the call, two women separated by the war meet again as the rain hammers down on the windows of The Spitfire pub.
As we hear their story, we’re transported back to a time when female pioneers defied expectations and soared through the skies.
Spitfire Girls is inspired by the extraordinary true stories of the women who dared to fly during WWII and the incredible bond that tied them together.
Funny, heart-warming and inspired by remarkable true events, this is an untold story of strength, courage and loss. But above all else, hope.
Tilted Wig Productions in association with Park Theatre.
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Evenings
19.00
Thu & Sat14.30
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Duration
2 hours 20 mins inc interval
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Interval
Yes
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Tickets
£15 - £52.50
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Genre
Drama
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Age guidance
10+
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Content warnings
Contains haze; smoking; strobe effects; loud noises; some strong language; reference to war and conflict.
Gallery
In the press
"An almost flawless production"
Northern Arts Review
"Soaring with emotional depth"
Theatre & Tonic
"A beautiful, well-crafted story of bravery"
StageSide UK
"Spitfire Girls soars"
Behind the Arras
"Masterfully written and performed"
Fairy Powered Productions
"Powerful"
Stage Masters
Cast & Creatives
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Katherine Senior
Writer and playing Bett
Katherine Senior
Writer and playing Bett
Katherine Senior is a writer, actor and producer with twenty years’ experience creating and touring theatre across the UK.
Her debut play, Spitfire Girls, was developed at the National Theatre Studio as part of the Generate programme and is published and licensed by Concord Theatricals under their Samuel French imprint. The play toured the UK in 2025 and 2026 playing to sell out audiences and is now transferring to London, Chichester and Off-Broadway.
In 2024, Katherine was long-listed for the Women in Theatre Lab Playwriting Prize recognising her as one the UK’s most promising playwrights.
As an actor, Katherine has performed leading roles in numerous plays on mid-scale and number one tours including: The Rivals; She Stoops to Conquer; Look Back in Anger; Two; The Lover and The Merry Wives of Windsor. She has also worked in audio drama for Big Finish, including UNIT and Doctor Who: Vortex Ice.
As a producer, Katherine has worked on numerous national tours, including The School for Scandal; Frankenstein; Around the World in 80 Days; Lady Chatterley’s Lover; The Picture of Dorian Gray and Great Expectations.
Katherine is co-founder of Tilted Wig Productions, which she runs with Matthew Parish.
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Hannah Morrison
Dotty
Hannah Morrison
Dotty
Hannah trained at the Italia Conti Academy of Theatre Arts, graduating with a BA (Hons) in Acting.
Her television credits include: Outrageous (BBC/BritBox); Doctors (BBC); Industry (HBO/Bad Wolf) and Lore (Amazon Studios).
Her theatre credits include: Plaza Suite (Savoy Theatre, ATG Productions); Truth/Reconciliation (Old Red Lion Theatre/Edinburgh Fringe Festival); Holy Land (Edinburgh Fringe Festival); The Railway Children and The Wizard of Oz (The Brewhouse Theatre and Arts Centre).
Her short film credits include Such A Lovely Day (BBC/Element Pictures).
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Kirsty Cox
C.O. / Joy
Kirsty Cox
C.O. / Joy
Kirsty trained at the Royal Conservatoire of Scotland.
Her recent theatre work includes the 2025 and 2026 tours of Spitfire Girls (Tilted Wig Productions); Crimes on the Christmas Express, Crimes Against Christmas, Houdini’s Greatest Escape, Christmas Present and Correct, Crimes on Centre Court, A Christmas Getaway, Crimes, Camera, Action and Crimes on the Nile (New Old Friends); Our Church (Watermill Theatre); Christmas Eve (Bath Spa Productions); Persuasion and Fallen Angels (Gilroy Theatre); Down To Earth, I Believe in Unicorns, Apple John, The Boy Who Climbed Into The Moon and Olive and the Dream Train (Theatre Alibi); The Odyssey and Medusa (Bristol Old Vic); 1599: A Year in the Life of William Shakespeare and Shakespeare’s Worst (Bristol Shakespeare Festival); The Macbeth Curse (Prime Theatre/Bolton Octagon); The Last Post and The Secret Garden (Kilter Theatre) and the one woman show Stalin’s Daughter (Blue Brook Productions).
She is a regular performer with street theatre company, The Naturals, and the comedy improvisation group, Instant Wit. She has recorded audiobooks and radio drama, including Enchanted Isle and Short Works for BBC Radio 4. Her film and television experience includes Trollied (Sky TV), commercials for Toolstation and Visit Wales, and several independent feature films.
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Paul Brown
Tom / Jimmy
Paul Brown
Tom / Jimmy
Training: 2019 Royal Welsh College Of Music And Drama Graduate.
Theatre Credits: in 2019 Paul made his professional and West End debut as an original cast member in Groan Ups with Mischief Theatre at the Vaudeville Theatre. Since then his professional credits include: Tom/ Jimmy in Spitfire Girls (Tilted Wig Productions); Dick Wilkins/ Topper and U/S Bob Cratchit (Leeds Playhouse); Paul (Lead) in Potted Potter US and ROI tour (Seabright Productions); U/S Mr Snow & Bless You in Mr Snow (Leeds Playhouse); multi-role of Daniel/Sean/Ensemble in Night Shift (ZooCo Theatre); U/S Spencer/Archie/Mr. White/Paul in Groan Ups UK Tour (Mischief Theatre), Lennox and Cover Macduff in Macbeth (Leeds Playhouse); Trelawney in Treasure Island (Derby Theatre).
Television Credits: In 2023 Paul made his screen debut as Sgt Piper in EastEnders (BBC)
Workshops/Research and Development: Ensemble actor for Milton Hall (National Theatre); BSL Actor in Romeo & Juliet (Derby Theatre); BSL collaborator/Actor for Martha (Deaf and Fabulous Productions); Ensemble/BSL collaborator for Night Shift (ZooCo Productions).
Training Credits: Tayo in Hundred Percent Positive Wellness; Eugen in Kasimir & Karoline; Jo in What We Know; Scullery in Road; Jorgen Tesman in Hedda Gabler; Bottom in A Midsummer Night’s Dream.
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Daniel Copeland
Dad / Frank
Daniel Copeland
Dad / Frank
Daniel is a stage and screen actor whose theatre credits include: Noughts & Crosses (Pilot Theatre); Robin Hood (Watermill Theatre); The Caretaker and The Railway Children (Nottingham Playhouse); The Glass Menagerie (Wolsey Theatre); A Midsummer Night’s Dream (Stafford Gatehouse and Northampton Theatre Royal) and international productions with Ultima Vez and Opera Ballet Vlaanderen, including Infamous Offspring, Mockumentary of a Contemporary Saviour and Puur.
His screen work includes appearances in The Larkins; Starstruck; After Life; Worzel Gummidge; King Gary; Walter and EastEnders, as well as the feature film Invincible.
A graduate of Drama Studio London, Daniel has worked extensively across theatre, television and film throughout the UK and internationally
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Seán Aydon
Director
Seán Aydon
Director
Seán is a director, writer and dramaturg who has worked at theatres across the UK. He is also artistic director for Tilted Wig Productions.
Productions for Tilted Wig include adapting and directing two national tours of The Picture of Dorian Gray (2019 & 2026); directing a national tour of The School for Scandal; and adapting and directing two national tours of Frankenstein. Other directing credits include new play Love Lab (Seven Dials Playhouse) and Shakespeare’s Richard III (Rosemary Branch Islington, nominated for Best Director in The Stage Debut Awards). He was also assistant director to Derek Bond on the world premiere of Tom Fletcher’s The Christmasaurus at the Hammersmith Apollo.
Having originally trained as an actor at Manchester School of Theatre, he worked as an actor for several years, playing theatres including the Royal Exchange (Manchester), Liverpool Everyman, and the Mercury Theatre (Colchester), as well as playing Pip in the UK tour of Great Expectations.
New writing and dramaturgy have always been a key part of Seán’s work – alongside being a script reader for the Finborough Theatre for several years, he has worked on new writing events at the Young Vic, the Old Vic, the NT Studio, the Arts Theatre (Leicester Square) and Theatre 503.
Seán is a permanent acting lecturer at Manchester School of Theatre (MMU).
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Sarah Beaton
Set Designer
Sarah Beaton
Set Designer
Sarah is a Performance Designer & Visual Dramaturge. She studied Design for Stage at The Central School of Speech & Drama, graduating in 2011 with first class honours. Later that year she was awarded The Linbury Prize for Stage Design. From 2015-2016 she was the Designer on Attachment at The Old Vic. Her work has been exhibited at The National Theatre, World Stage Design (Cardiff), the V&A and World Stage Design (Taiwan).
Theatre and Opera work includes: Carmen (Scottish Opera); The Merchant of Venice (Sam Wanamaker Playhouse, Shakespeare’s Globe); La Bohème (Longborough Festival Theatre); Bird Grove; The Lightest Element; The Harmony Test; We Had a World; Nineteen Gardens and Mother Christmas (all Hampstead Theatre); Babur in London (Sadler’s Wells); Living (Sheffield Theatres); Wild East (Young Vic); MUM (Plymouth Theatre Royal/Soho); Faust (Altes Schauspielhaus, Germany); The Smile of Her (Marylebone Theatre); The Human Voice (Gate); Building the Wall (Park); Crocodiles (Manchester Royal Exchange); Possession; Great Apes; The Double Act (all Arcola); Rise; Mix the Play (Old Vic); Orphans (Jermyn Street Theatre); In Event of Moon Disaster (Theatre503); One Who Wants to Cross (Finborough); Diary of a Madman (Sherman, Cardiff); Missing; Run; Gap in the Light (all Engineer Theatre Collective); And here I am (World tour).
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Peter Small
Lighting Designer
Peter Small
Lighting Designer
Peter is an Offie and Theatre & Technology Award nominated lighting designer working across theatre, dance, opera and immersive events. In 2018 Peter was nominated for two Off West End Best Lighting Awards for BLACK MOUNTAIN and A GIRL IN SCHOOL UNIFORM (WALKS IN TO A BAR), and his lighting design for 58TH STREET was nominated for the ABTT Stephen Joseph Award. As well as his work on stage, Peter designed the lighting for the Garden Cinema in Covent Garden, and has been a judge for the Profile Awards in 2024, 2025 and 2026.
Credits include: TALES OF LOVE AND LOSS (Royal Opera House); KATHY & STELLA SOLVE A MURDER (The Ambassadors Theatre in the West End, Bristol Old Vic, HOME Manchester & Edinburgh Fringe); ROAM (Shaftesbury Theatre); KING STAKH’S WILD HUNT (The Barbican); BABY REINDEER (Bush Theatre & Edinburgh Fringe); LOVE LIFE: WEST END UNITES AGAINST CANCER (Theatre Royal Drury Lane); ALL OR NOTHING (West End & on tour); WHAT REMAINS OF US (Bristol Old Vic); KS6: SMALL FORWARD (The Barbican & La MaMa, New York); SPITFIRE GIRLS (UK Tour); THE SCHOOL FOR SCANDAL (UK Tour); LADY CHATTERLEY’S LOVER (UK Tour); ORLANDO (59E59 New York); WAHNFRIED: THE BIRTH OF THE WAGNER CULT, IL BARBIERE DI SIVIGLIA, PELLÉAS ET MÉLISANDE, DIDO AND AENEAS (Longborough Festival Opera); SHREK THE MUSICAL and MY FAIR LADY (Mercury Theatre, Colchester); CINDERELLA (Queens Theatre Hornchurch); THE MISANDRIST (Arcola Theatre); SYLVIA and NUNSENSE (both at English Theatre Frankfurt); TWELFTH NIGHT (Kew Gardens); RED (Polka Theatre); LIT (Nottingham Playhouse Tour and Online); 58th STREET, THE GREAT MURDER MYSTERY, THE GREATEST NIGHT OF THE JAZZ AGE and THE GREAT CHRISTMAS FEAST (all with The Lost Estate); THE RITUAL SLAUGHTER OF GORGE MASTROMAS, THE CAUCASIAN CHALK CIRCLE, THE PRIORY and A SKULL IN CONNEMARA (all at the Dailes Theatre, Latvia); 17 MINUTES (Edinburgh Fringe); SQUARE GO (UK Tour, 59E59 New York and Edinburgh Fringe).
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Eamonn O Dwyer
Sound Designer & Composer
Eamonn O Dwyer
Sound Designer & Composer
Eamonn is a composer and sound designer of Guyanese-Irish origin. He is an Associate of the Royal Academy of Music, and the winner of the 2025 Black British Theatre Award for Sound Design.
His theatre credits include: Ilford Boy (Donmar Warehouse); Twelfth Night (Theatr Clwyd); Aggy (Park Theatre); Mrs President (Charing Cross); Troilus & Cressida (Shakespeare’s Globe); All The Happy Things (Soho); Spitfire Girls (MAST); The Koala Who Could (Unicorn); Hey! Christmas Tree (Minerva, Chichester); Never Let Me Go (Rose, Kingston); The History Boys (Bath Theatre Royal); The Lion Inside (Rose, Kingston); Guy Fawkes (York Theatre Royal); Brief Encounter (Watermill); Lady Chatterley’s Lover (UK Tour); Twelfth Night and Henry V (Shakespeare’s Rose Theatre, York); It Never Happened (ArtsEd); Mrs Beeton Says… (Bristol Old Vic Theatre School); The Legend of Sleepy Hollow (NYMT, The Other Palace); The Comedy of Errors, Romeo & Juliet and Julius Caesar Re-imagined (RSC, Swan); Flesh & Bone (National Theatre Studio); Grimm Tales and Peter Pan (Chichester Festival Theatre); Jeeves & Wooster (Barn, Cirencester); Stones in His Pockets (Dukes, Lancaster); The Glass Menagerie (Theatre Chipping Norton). He is a frequent musical collaborator at the Rose Theatre in Kingston, where he has written original songs and scores for Beauty & The Beast, The Snow Queen, Hansel & Gretel, The Wind in the Willows, The Lion, The Witch & The Wardrobe, & A Christmas Carol.
The score for his original musical The House of Mirrors & Hearts won the MTM Award for Best New Score at the Edinburgh Festival in 2010, and after its critically acclaimed run at the Arcola Theatre in 2015 has now been performed in Australia and the US. Mrs Beeton Says and The Legend of Sleepy Hollow are now available for licensing through Samuel French Ltd. In 2021 Eamonn’s new musical Fanny & Stella was featured in the NAMT 33rd Annual Festival of New Musicals in New York, and in 2022 Eamonn made his own NYC debut performing an evening of his work at the celebrated 54 Below Club in Manhattan.
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Stephen Moynihan
Movement Director
Stephen Moynihan
Movement Director
Stephen is a movement director, choreographer, intimacy coordinator, and creature movement specialist, working across theatre, television, and film. Stephen graduated from London Contemporary Dance School before embarking on a global performance career, collaborating with renowned creatives such as Akram Khan, Polly Bennett, Alex Reynolds, and Damien Jalet.
In theatre, Stephen has most recently worked on The Boy as well as The God and His Daughter at The Abbey Theatre, Dublin. He was the associate choreographer cover for Elektra in the West End. Other credits include choreography and movement direction on the UK tour of Frankenstein, The School for Scandal and Spitfire Girls all with Tilted Wig.
Stephen has taught movement at several leading institutions, including Rose Bruford, Drama Studio London, and Trinity Laban. Additionally, he co-hosts the Shapes in Motion podcast, exploring movement and performance across theatre, film, and screen.
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Tyler Forward
Video Designer
Tyler Forward
Video Designer
Tyler trained at the Royal Academy of Dramatic Art, specialising in Lighting and Video Design. He has worked internationally as a Designer / Associate in Theatre, Concerts and Site-Specific Design.
As a Designer, theatre includes: Live! From The Warehouse (White Bear); Opera Fest (Clonter Opera); Bark Of Millions (Schwarzman Center); Sweet Charity (Riverside Studios); Villette (PATS); Snakes and Ladders (PATS); Spitfire Girls (TOUR); Saturday Night (PATS); High Button Shoes (PATS); Onegin (PATS); Welcome To Noware (George Bernard Shaw); Merrily We Roll Along (Playground); Scenes From A Repatriation (Royal Court); Death on the Throne The Loosical (Upstairs at the Gatehouse); The 25th Annual Putnam County Spelling Bee (Mack); The Legend of Them (Royal Court) A Midsummer Night’s Dream (Backstage); The Turn of The Screw (Queens); G (Royal Court); Dorian The Musical (Southwark Playhouse); Sunday In Park with George (Mack); Diana The Musical Concert (Eventim Apollo); Trompe L’Oiel (The Other Palace); Loserville (Blackheath Halls); Our House (The Albany); No Man’s Island, Redemption, Mission (The Big House); Play, The Games (P&O Arvia); Silence (Donmar/Tara); Musical Theatre Showcase (Trinity Laban); Roles We’ll Never Play, Close Quarters (RADA); Opening Up: The Mental Health Musical (Union); Thoroughly Modern Millie (Electric); Nor Woman Neither (Tristan Bates); Macbeth (Vanbrugh); Stoning Mary (George Bernard Shaw).
As a Designer, site specific include: The Last Stop Before Kirkgate (York Castle Museum); Christmas@ (Blenheim Palace); Halloween@ (Thetford Forest) (Blenheim Palace); Wes Anderson’s Asteroid City Exhibition (180 The Strand); Future Shock (180 The Strand).
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Abigail Caywood
Costume Supervisor
Abigail Caywood
Costume Supervisor
As Costume Designer: Sleeping Beauty (Buxton Opera House); Cinderella, A Midsummer Night’s Dream (Chichester Festival Theatre); The Burnt City: The Last Rite (Punchdrunk); The Concrete Jungle Book (Pleasance Theatre); Every Brilliant Thing (Cygnet Theatre); Our Great Tchaikovsky (The Other Palace Theatre); MAESTRO: The Art of Leonard Bernstein (59E59 Off-Broadway).
As Associate Costume Designer: The Deal (Dream Awake/Gecko Theatre, Shenzhen, China).
As Costume Supervisor: We Had a World, Grud (Hampstead Theatre); Spitfire Girls (Tilted Wig); Orphans (Jermyn Street Theatre); La Bohème (Longborough Opera); The Accountants (Factory International/Hong Kong Tour); BalletBoyz: Deluxe (UK Tour); Never Not Once (Park Theatre); Globe For All: Twelfth Night (Old Globe Theatre); Shockheaded Peter (Cygnet Theatre, Winner of the San Diego Theatre Critics Circle Award for Outstanding Costume Design).
Abigail helped build and run Punchdrunk’s The Burnt City in London for 2 years as a member of the original wardrobe team. Abigail was a semi-finalist for the National Theatre’s 2021 Linbury Prize for Stage Design, and she was awarded a Global Talent Visa by Arts Council England.
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Matthew Parish
Producer
Matthew Parish
Producer
Matthew Parish is co-founder and producer of Tilted Wig Productions. He has worked in theatre for more than 20 years, with extensive experience in producing, production management and touring, and has worked across nearly 30 theatre productions throughout his career.
His producing and production management credits include the national tours of Travels With My Aunt (2016) and Our Man in Havana (2017), as well as A Christmas Carol, a co-production with Exeter Northcott Theatre.
With Tilted Wig, Matthew regularly co-produces with leading theatres across the UK, including Theatre by the Lake, York Theatre Royal, Watford Palace Theatre, Malvern Theatres and MAST Mayflower. His Tilted Wig producing credits include Great Expectations, The Picture of Dorian Gray, Murder, Margaret and Me, Lady Chatterley’s Lover and The Legend of Sleepy Hollow.
Matthew supported the development of Spitfire Girls including at the National Theatre Studio in 2024 and has since worked closely on its production and UK tour. He is now producing the production through its Chichester and London engagements and its transfer to New York. As co-founder of Tilted Wig, Matthew oversees the company’s producing, touring and strategic development, bringing more than two decades of experience in delivering theatre from development and rehearsal through to national and international presentation.
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Guys Dennys
Company Manager
Guys Dennys
Company Manager
Guy trained as an actor at Cygnet Theatre in Exeter and at the National Youth Theatre of Great Britain. After his training, Guy went on to work in various capacities throughout the creative arts. Having worked both on and off-stage with Tilted Wig, Guy is delighted to be returning as Company Manager on Spitfire Girls.
Theatre Credits include: The Picture of Dorian Gray (Tilted Wig/UK Tour); Spitfire Girls 2025 & 2026 (Tilted wig/UK Tour); The School for Scandal (Tilted Wig/UK Tour); Lady Chatterley’s Lover (Tilted Wig/UK Tour); Don Carlos (Ara Theatre Company/Exeter Northcott/ Rose Theatre Kingston); A Christmas Carol (Creative Cow/ Exeter Northcott); Macbeth (Devil You Know Theatre); The Browning Version (Common Players); Medea (Four of Swords); Around the World in 80 Days (Tilted Wig/ UK Tour); Frankenstein (Tilted Wig/ UK Tour).
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Lydia Morgan
Stage Manager
Lydia Morgan
Stage Manager
Lydia is a freelance Stage Manager and technician who trained at the Bristol Old Vic Theatre School. They are very excited to be a part of Spitfire Girls for the 3rd year in a row.
Some of their previous credits include: Stage Manager (on book) on The Picture of Dorian Gray (UK tour); Tech ASM (book cover) on The Last 5 years (Reading Rep, The Barn and Bath Theatre Royal); ASM on In The Night Garden Live (UK Tour); Stage Manager on Well Done Mummy Penguin (The Arc); ASM on The Changeling (Southwark Playhouse) and Technical Stage Manager on Life Before You (The Alma Tavern). Lydia has also done lots of work as a technician including work at The Tobacco Factory and Bristol Old Vic.
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Josh Collins
Production Manager
Josh Collins
Production Manager
Josh is a freelance Production Manager working across opera and theatre. A graduate of The Guildhall School of Music and Drama and recipient of the Gold Medal. Recent Production Management credits include: Hunger Games (Troubadour Theatre, Canary Wharf); Bog Witch (Traverse 1 Edinburgh Fringe, UK and Ireland Tour, SOHO Theatre Walthamstow); Dragonflies (Hampstead Theatre); Spitfire Girls (2x UK Tours); Gianni Schicchi (UK Tour); Our American Queen (Bridewell Theatre); Lovers Actually (The Other Palace); Fatherland (Hampstead Theatre); Romeo and Juliet (Theatre Royal Stratford East); John Cameron Mitchell Live (Adelphi Theatre); Letters From Max (Hampstead Theatre); Personal Values (Hampstead Theatre); The Double Act (Arcola Theatre); An Interrogation (Ellie Keel Productions); Christmas in Exeter Street (Farnham Maltings); King James (Hampstead Theatre); Maria De Rudenz (Battersea Arts Centre); An Actor Convalescing In Devon (Hampstead Theatre).
Recent Associate Production Management Credits include: Sinatra: The Musical (Aldwych Theatre); Miss Myrtle’s Garden (Bush Theatre).
Recent Assistant Production Management Credits include: The Great Gatsby: A New Musical (London Coliseum); Visit From An Unknown Woman (Hampstead Theatre).
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Sinead O'Callaghan
Education Consultant
Sinead O'Callaghan
Education Consultant
Sinead is a freelance engagement and education consultant specialising in theatre, arts and heritage across the UK and abroad. She trained at RCSSD in London.
With twenty years of experience in both the theatre and education sectors, she works with producers, artists and organisations to engage their target audiences through consultation, resource development and live events. Her work spans the West End, touring and Fringe theatre as well as lecturing, teaching, museum collaborations and immersive events. For more see www.sineadocallaghan.co.uk
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In Aid of Royal British Legion
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The Generate Programme National Theatre
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